{"title":"books","description":"","products":[{"product_id":"r-ha-muerto","title":"booklet ; r ha muerto REX G. CAMPOS","description":"\u003cp class=\"p1\"\u003ethe \"R\" that the author chooses to use in these poems leaves us trembling. her honest voice translates into sounds that burst forth, phonemes that explode with intensity, screams that continue to echo in the darkness. rage and tenderness are present in the lines that make up this text; from this structure, it is natural that the stanzas erect the varied forms of pain and the noise with which the poetic subject confronts the laughter of others and the gaze of those she loves (or loved).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eit is not surprising, then, that we hear the prayers and supplications of a woman determined not to remain silent again. perhaps, through those resounding \"R\"s, Rex will find what she so desperately seeks.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e98 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003epoetry, personal search, melancholy\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRex G. Campos \u003c\/strong\u003e(León, 2001) Rex Campos was born on April 3, 2001. she studied Spanish Literature at the University of Guanajuato. she is the director of the cultural outreach collective \u003cem\u003eLuces del Mocerío\u003c\/em\u003e, dedicated to organizing poetry readings and live music events in Guanajuato and León. she teaches poetry writing and reading workshops with a focus on intentionality. she has a segment dedicated to promoting local literature on \u003cem\u003eTv4Radio\u003c\/em\u003e's \u003cem\u003eA primera hora\u003c\/em\u003e program. she writes about family, her relationship with religion, and the body she inhabits. this is her first published work. it won't be her last.\u003c\/p\u003e","brand":"EDITORIAL OCELOTE","offers":[{"title":"Default Title","offer_id":44556305694790,"sku":"OCE-13","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/ocelote-mexico-13-r-ha-muerto-rex-g-campos-1.jpg?v=1770676842"},{"product_id":"xolotl","title":"book xólotl JORGE LUIS FLORES","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eXólotl\u003c\/em\u003e is a collection of five stories that take place in present-day, tragicomic Mexico. what can we expect from a country whose reality tends to surpass fiction? the theft of a living statue, the eternal return of the corpses of victims of unsolved crimes, macabre cults to pre-hispanic gods disguised as entrepreneurial ventures, passages between times and countries whose common thread is death, brutal crimes of passion, and romances that oscillate between telenovela, Greek tragedy, and crime thriller.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ethrough bold prose and a profound perspective, Jorge Luis Flores immerses us in situations with fantastical elements that, unfortunately, reflect our harsh reality: femicides, mass graves linked to drug trafficking, corruption, homophobia, and a ridiculous glorification of wealthy business owners.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e168 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ehorror, magical realism, contemporary fiction\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJorge Luis Flores\u003c\/strong\u003e (León, 1992) is a writer, translator, and semiotician. he has published short stories in the anthologies \u003cem\u003eVampiro y otros cuentos\u003c\/em\u003e, \u003cem\u003ePoquito porque es bendito\u003c\/em\u003e, and \u003cem\u003ePara leer los todos\u003c\/em\u003e. he is the winner of several literary competitions. he contributes to the magazine \u003cem\u003eCriticismo\u003c\/em\u003e, publishes diverse texts on his blog \u003cem\u003eLetreraria\u003c\/em\u003e, and hosts the podcast \u003cem\u003eEntusiastas\u003c\/em\u003e. he is the first author published by Ocelote with his book \u003cem\u003eXólotl\u003c\/em\u003e.\u003c\/p\u003e","brand":"EDITORIAL OCELOTE","offers":[{"title":"Default Title","offer_id":44556492439622,"sku":"OCE-14","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/ocelote-mexico-14-xolotl-jorge-luis-flores-1.jpg?v=1770676896"},{"product_id":"la-mugre","title":"book la mugre KAREN PADILLA","description":"\u003cp class=\"p1\"\u003eIrene, a mother of two, lives a life marked by motherhood, marriage, trauma, and guilt. when she meets Clara, luminous and fragile, an unexpected desire awakens, the nightmares that seemed buried return, and her past is revealed as a latent wound: a story that her body preserves, even though her mind wishes to erase it.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ethis is a psychological novel about what cannot be washed away no matter how hard we scrub, and about what persists and survives the passage of years, stuck in the darkest corners of our minds.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eKaren Padilla, with elegant and precise prose, takes us to explore the darkest nightmares of her protagonist and to experience firsthand the pains and tenderness that inhabit the feminine. with this story, she portrays how the everyday can become disturbing and how wounds that are not named can leave even deeper scars.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e164 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003epsychological fiction, contemporary fiction, maternity\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eKaren Padilla \u003c\/strong\u003e(León, 1992) Born in León, Guanajuato, she is a writer and Gestalt psychotherapist. As a short story writer, she has participated in various anthologies with her stories. she is the author of the book \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e¿Dónde está Bebé?\u003c\/em\u003e aimed at mothers who have experienced a pregnancy loss. she was a finalist in the El Arrozal International Literary Contest (2025) with \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEl nacimiento del agua\u003c\/em\u003e and one of the winners of the National Short Story Contest for Mexican Women Writers with the story \u003cem\u003eLa colmena\u003c\/em\u003e. her text \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eQuerido hijo\u003c\/em\u003e was also published in the digital magazine \u003cem\u003eLa Periódica\u003c\/em\u003e. her stories feature grandmothers, mothers, lost women, and secrets. her literature explores the intimate realm where the wound becomes words and words become healing.\u003c\/p\u003e","brand":"EDITORIAL OCELOTE","offers":[{"title":"Default Title","offer_id":44556531105862,"sku":"OCE-15","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/ocelote-mexico-15-la-mugre-karen-padilla-1.jpg?v=1770676952"},{"product_id":"los-robots-contaran-nuestras-historias","title":"book los robots contarán nuestras historias DANIEL CENTENO","description":"\u003cp class=\"p1\"\u003ein this book, robots will tell us amazing stories: tragic episodes between them and their creators, tales that describe how absurd automatism can be when it continues its purpose, chronicles of an epic adventure to discover what lies beneath their layers to discover what lies beneath their layers of synthetic skin and metal, sinister narratives about the despair of the days leading up to an impending extinction, and stories that could represent the last hope for a humanity that has ceased to exist for millennia.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e168 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ehorror, robots, magic, fantasy, lgbtq+, contemporary fiction\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDaniel Centeno\u003c\/strong\u003e (Los Mochis, 1991) writes death fiction short stories. he is the author of \u003cem\u003eRara vez elegimos morir \u003c\/em\u003e(Trazos de Aves) and \u003cem\u003eNo hablaremos de muerte a los fantasmas\u003c\/em\u003e (Casa Futura). he won the XXXV National Prize for Fantasy and Science Fiction Short Stories with the story \u003cem\u003eNoturo\u003c\/em\u003e. he received an honorable mention in the XVI Juan José Arreola National Short Story Contest. he was a recipient of a grant from the National Fund for Culture and the Arts (FONCA) in 2017-2018 and 2022-2023, and from PECDA Jalisco in 2020-2021 in the short story category.\u003c\/p\u003e","brand":"EDITORIAL OCELOTE","offers":[{"title":"Default Title","offer_id":44556580290630,"sku":"OCE-16","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/ocelote-mexico-16-los-robots-contaran-nuestras-historias-daniel-centeno-1.jpg?v=1770676973"},{"product_id":"tornasol","title":"book tornasol ALICIA MARES","description":"\u003cp class=\"p1\"\u003ein \u003cem\u003eTornasol\u003c\/em\u003e, children and women marked by loss take center stage through nine tales of horror, mystery, and fantasy that unfold in the cold villages of the Tlaxcala highlands, the sanctuaries of Michoacán, or the highways of Veracruz. the fervor for memory barely diminishes the shiver generated by the enigmas, or the darkness that childhood can hold. road trips, rites of transformation, unexpected alliances with sea creatures, pacts with magical beings, the glow of a fire, natural disasters, and tiny miracles; these are the catalysts that bring back the wonder and fear of childhood. the omnipresent presence of loss is cast in a new light, creating a new kind of iridescence. Alicia Mares, through her agile and vivid narrative, is able to create captivating worlds that transport us from the most serene tenderness to the most unsettling nightmare.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e160 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eterror, fantasy, magical realism, contemporary fiction, Mexican gothic\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAlicia Mares \u003c\/strong\u003e(Mexico City, 1996) is a communications specialist and writer. she is the author of \u003cem\u003eCautivo de sombras\u003c\/em\u003e (Plaza y Valdés, 2020), \u003cem\u003eCocodrilario\u003c\/em\u003e (Horror Vacui, 2022), and \u003cem\u003ePangea\u003c\/em\u003e (Trazos de Aves, 2023). she participated in the anthologies \u003cem\u003eMujeres perversas\u003c\/em\u003e (Trajín Literario, 2022) and \u003cem\u003eNuevas emergencias\u003c\/em\u003e (Candaya, 2023), as well as the Under the Volcano (UTV) residency in Tepoztlán. she completed a Master's degree in Creative Writing at UPF Barcelona. she was also a recipient of a FONCA grant in 2022 in the short story category. in 2024, she was a finalist for the XXXV Ana María Matute Women's Narrative Prize.\u003c\/p\u003e","brand":"EDITORIAL OCELOTE","offers":[{"title":"Default Title","offer_id":44556660506694,"sku":"OCE-17","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/ocelote-mexico-17-tornasol-alicia-mares-1.jpg?v=1770677000"},{"product_id":"querido-quetzalcoatl","title":"book querido quetzalcóatl ADRÍAN CHÁVEZ","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Dear Quetzalcoatl, I’ve been very, very good this year…”. This is how the letter that, in 1930, revolutionized the immortality of the greatest Aztec god begins. What was this Christmas thing all about? Why were they bothering him with such trivialities? Why had the president of a country he didn't care about given him a job he hadn't asked for? More importantly: Who was Matilde and why did she want a little blue dress like her friend Catita's?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“There are novels that are written and novels that are told. This one belongs to the latter category. There are stories that are true and stories that are fiction. This one is both. There are humans who believe themselves to be gods and gods created in their image and likeness. Some of them parade through these pages, and the difference is not always clear. There are countries with a history and countries that are a collection of improbable anecdotes. Guess which kind this story is about.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ewith unparalleled wit, Adrián Chávez delivers a short novel that pokes fun at us, our politics, and our history.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e134 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ehistorical fiction, contemporary fiction, satire, christmas\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAdrián Chávez \u003c\/strong\u003e(State of Mexico, 1989) is a translator and writer, author of the novel \u003cem\u003eSeñales de vida\u003c\/em\u003e (Fá Editorial, 2015), the play \u003cem\u003eEl donador de almas\u003c\/em\u003e (Teatro La Capilla, 2018; La Teatrería, 2019), and the volume of essays Strauss quería pastel (FETA, 2018), winner of the José Luis Martínez National Young Essay Prize 2018. he has also received honorable mentions in the Premio Nacional de Cuetno Joven Comala 2016 and the Premio Nacional de Novela Corta Juan García Ponce 2017, and has been a Fonca grant recipient in the novel and essay categories.\u003c\/p\u003e","brand":"EDITORIAL OCELOTE","offers":[{"title":"Default Title","offer_id":44556697010246,"sku":"OCE-18","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/ocelote-mexico-18-querido-quetzalcoatl-adrian-chavez-1.jpg?v=1770677024"},{"product_id":"cartografia-de-las-virgenes","title":"book cartografía de las vírgenes DANIEL AGUILAR TORRES","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eCartografía de las vírgenes\u003c\/em\u003e is a moving and ingenious book that reclaims the memory of the neighborhood that lives within us. it revives the legends and gossip of neighbors, the shared fears, the promises of a better future, and the youth who struggles to remain rebellious while embracing their innocence.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ethe neighborhood map depicted on these pages is drawn through the murals of virgins and the street memories, from a wall decorated with the faces of fallen gang members, from clandestine concerts, the smell of fried food, the sound of children's laughter as they still play soccer in the street, from the slowed-down \u003cem\u003ecumbias\u003c\/em\u003e at a sound system party, from gunshots aimed at the heart of some god up in heaven, and from the fireworks of the patron saint festivals.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003einstead of picking up a spray can or composing a catchy rap song, Daniel Aguilar draws a literary map and offers us a walk through streets that, even if they aren't our own, are very familiar to us.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ethis book, in addition to the excellent short stories that make up the anthology, includes the story \"Cada mañana mi casa está vacía,\" which received an honorable mention at the León Literature Awards 2022.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e168 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003econtemporary fiction, urban fiction\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDaniel Aguilar Torres \u003c\/strong\u003e(León, 1995) is a cultural manager and writer. He holds a degree in Culture and Art from the University of Guanajuato. he is a member of \u003cem\u003eRetransmisión\u003c\/em\u003e, an independent film management collective. in 2020, he won first place in the 4th Los Cabos International Film Festival Film Criticism Contest. he is the co-founder and programmer of Docu Film León, an International Documentary Film Showcase. he currently programs films for the film club at the \"Diego Rivera\" Cultural Center.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eas a writer, he was selected to participate in the Efrén Hernández Short Story Seminar of the Guanajuato Fund for Literature (2019–2020). in 2022, he received an Honorable Mention in the \"Short Story\" category of the León Literature Awards.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ehis writings have appeared in various publications.\u003c\/p\u003e","brand":"EDITORIAL OCELOTE","offers":[{"title":"Default Title","offer_id":44556715458630,"sku":"OCE-19","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/ocelote-mexico-19-cartografia-de-las-virgenes-daniel-aguilar-1.jpg?v=1770677051"},{"product_id":"tierra-de-sol-katia-rejon","title":"book tierra de sol KATIA REJÓN","description":"\u003cp class=\"p1\"\u003ejournalist Katia Rejón travels through six towns in Yucatán, her home state, to gather interviews, life stories, and accounts of daily struggles and social resistance, becoming a character herself in the narrative as she chronicles her own journey in search of identity. the book is illustrated by Ernesto Medina, \u003cmeta charset=\"utf-8\"\u003evisual artist from Yucatan.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003erisograph print\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e128 pages\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eillustrated\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CAPULÍN TALLER EDITORIAL","offers":[{"title":"Default Title","offer_id":44759194828870,"sku":"CAP-30","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/capulin-taller-editorial-mexico-30-book-katia-rejon-tierra-de-sol-1.jpg?v=1775004148"},{"product_id":"pais-mortifero-jose-angel-koyoc-ku","title":"book país mortífero JOSÉ ÁNGEL KOYOC KU","description":"\u003cp class=\"p1\"\u003ethirteen episodes that take a chronological journey, rigorously documented in the archives of México’s Secretaria de la Defensa Nacional (SEDENA) and the Historical Archive of Yucatán in relation to the military campaign of the Mexican national army in the Yucatán peninsula, with the purpose of subduing the independence aspirations of the region.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003erisograph print\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e84 pages\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eillustrated\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eartisanal bookbinding\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CAPULÍN TALLER EDITORIAL","offers":[{"title":"Default Title","offer_id":44759241031750,"sku":"CAP-31","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/capulin-taller-editorial-mexico-31-book-jose-koyoc-pais-mortifero-1.jpg?v=1775004208"},{"product_id":"memoria-de-las-sombras-ricardo-cardona","title":"booklet memoria de las sombras COLLECTIVE, RICARDO CARDONA","description":"\u003cp class=\"p1\"\u003ecollection of photographs edited for risograph printing, drawn from social media (with prior approval) by different people and in different geographical locations where the annular eclipse of October 2023 was fully visible. where were you during the eclipse?\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003erisograph print \u003c\/li\u003e\n\u003cli\u003eartisanal bookbinding\u003c\/li\u003e\n\u003cli\u003e22 pages\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CAPULÍN TALLER EDITORIAL","offers":[{"title":"Default Title","offer_id":44759248076870,"sku":"CAP-33","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/capulin-taller-editorial-mexico-33-book-ricardo-cardona-memorias-de-las-sombras-1.jpg?v=1775004250"},{"product_id":"memoria-de-gabuch-david-anuar-trilingual-edition-spanish-maya-english","title":"book memoria de Gabuch DAVID ANUAR trilingual edition: spanish-maya-english","description":"\u003cp\u003etelling of the foundation of Cancún, México, through poems from the perspective of Gabuch, an early inhabitant. A beautifully told story of pain in the name of progress. for your next spring break getaway. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003erisograph print\u003c\/li\u003e\n\u003cli\u003e104 pages\u003c\/li\u003e\n\u003cli\u003etrilingual edition: English, Maya Yucateco, and Spanish\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CAPULÍN TALLER EDITORIAL","offers":[{"title":"Default Title","offer_id":44767882805318,"sku":"CAP-34","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/capulin-taller-editorial-mexico-34-book-david-anuar-memoria-de-gabuch-1.jpg?v=1775004294"},{"product_id":"el-feroz-mazapan-karla-cano-samano","title":"book el feroz Mazapán KARLA CANO SÁMANO","description":"\u003cp class=\"p1\"\u003eillustrated poem about the life of a stray dog, whose journey takes him from his place of origin—in the mountains of the state of Guerrero—to his adoption by a family in Mexico City, and his current life, filled with care and affection.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003erisograph print\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e27 pages\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"CAPULÍN TALLER EDITORIAL","offers":[{"title":"Default Title","offer_id":44770464661574,"sku":"CAP-35","price":20.0,"currency_code":"USD","in_stock":false}]},{"product_id":"book-fatima-pecci-carou-01-pequena-fortuna","title":"book fátima pecci carou 01 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cem\u003e15 minutos de cancelación\u003c\/em\u003e  is the first issue of the emisiones (broadcasts) collection, which will include conversations with various artists, poets, directors, and researchers. in this issue, we speak with painter Fátima Pecci Carou about her experience following her exhibition \u003cem\u003eBanderas y banderines\u003c\/em\u003e: Evita, curated by María Eva Grinstein in 2021. the exhibition unleashed a wave of aggression and political harassment that, in turn, prompted dozens of colleagues to express gestures of solidarity and reflect on the possibilities of art in the 21st century.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e19 pages\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003epart of the \u003ci\u003eemisiones \u003c\/i\u003ecollection: interviews with artists, writers, and critics.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860355182662,"sku":"PFO-67-BOO-E01","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-book-15-minutos-de-cancelacion-fatima-pecci-carou-1.jpg?v=1775853686"},{"product_id":"book-una-chica-disfrazada-de-chica-julia-bozzalla","title":"book una chica disfrazada de chica JULIA BOZZALLA","description":"\u003cp\u003eJulia writes like a girl applying makeup in front of a mirror: wanting to mask with glitter the things she dislikes about her face, yet simultaneously gazing at herself head-on, without mercy. her poems are rehearsals for the thousand lives she could lead, even as she inhabits the one she has. a girl disguised as another girl, moving forward with her eyes wide open—facing the world head-on—so that nothing escapes her notice. a girl disguised as another girl, writing as she discovers what kind of girl she wants to be. \u003cem\u003eAna Montes\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e50 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art: Julia Bozzalla\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003cem\u003epequeña fortuna\u003c\/em\u003e editions\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eBuenos Aires, November 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJulia Bozzalla \u003c\/strong\u003e(Connecticut, 1997) is an artist. she lives and works in Buenos Aires. her work intertwines theater, literature, visual arts, and film. she is a graduate of the \u003ci\u003ePrograma de Cine \u003c\/i\u003efrom\u003ci\u003e Universidad Torcuato Di Tella\u003c\/i\u003e and of Graphic Design at FADU-UBA, where she currently also teaches. she contributed to the anthology of young poets, \u003ci\u003eRitual de Amor\u003c\/i\u003e (Penguin Random House, 2022). she wrote and directed \u003ci\u003eLas cosas que no digo no existen menos\u003c\/i\u003e (Teatro El Grito, 2021). she directed the young artists' series \u003ci\u003ePalacio Tomado\u003c\/i\u003e at the \u003ci\u003eMuseo Nacional de Arte Decorativo\u003c\/i\u003e (2021–2022). as a visual artist, she has participated in various exhibitions and residencies. she is currently working on her musical project and her first short film, \u003ci\u003eQuisiera que vos\u003c\/i\u003e \u003ci\u003ey yo fuésemos otras dos personas\u003c\/i\u003e (I Wish You and I Were Two Other People).\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860470460486,"sku":"PFO-65-BOO-PF24","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-una-chica-disfrazada-de-chica-julia-bozzalla-1.jpg?v=1775858607"},{"product_id":"book-un-sabado-por-la-manana-diego-l-garcia","title":"book un sábado por la mañana DIEGO L. GARCÍA","description":"\u003cp\u003eañoro un mundo del que vivo fuera, soy un old fashioned. en el sol de mediodía mi meditación es caliente, y esa es la templanza que puedo tener. quiero decir que este libro es un poema de duelo, un poema de aceptación, el último destello de un mundo que terminó, si es que alguna vez llegó a realizarse— América como un eco de Arcadia. poema de añoranza es otro modo de llamarlo: el mundo de los sueños no fue ayer ni será mañana, ha sido en otro lugar, probablemente en un cuaderno.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e28 pages\u003c\/li\u003e\n\u003cli\u003eSpanish\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003epequeña fortuna\u003c\/em\u003e editions\u003c\/li\u003e\n\u003cli\u003eBuenos Aires, August 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDiego L. García\u003c\/strong\u003e (Berazategui, 1983) is a \u003ci\u003eProfessor en Letras \u003c\/i\u003eat the \u003ci\u003eNational University of La Plata.\u003c\/i\u003e he has published books of poetry, essays, and translations in Argentina, Chile, Spain, and the United States, including \u003ci\u003eFin del enigma \u003c\/i\u003e(Ediber, 2011), \u003ci\u003eEsa trampa de ver\u003c\/i\u003e (Añosluz, 2016), \u003ci\u003eUna voz hervida \u003c\/i\u003e(Jámpster, 2017), \u003ci\u003eUna cuestión de diseño \u003c\/i\u003e(Barnacle, 2018), (Fotografías) (Zindo \u0026amp; Gafuri, 2018; 2nd ed. Liliputienses, 2020), \u003ci\u003eLas calles nevadas\u003c\/i\u003e (Barnacle, 2020), \u003ci\u003eSiluetas hablando porque sí \u003c\/i\u003e(Ed. Casa Vacía, 2022), El lento hacer. \u003ci\u003eEnsayos sobre imagen y escritura\u003c\/i\u003e (Ed. Casa Vacía, 2023), and \u003ci\u003eUnos días afuera\u003c\/i\u003e (Anthology, Pixel, 2023). his work is included in numerous anthologies, among them \u003ci\u003ePaís imaginario: escrituras y transtextos \u003c\/i\u003e1980-1992 (Ay del Seis, 2018). contributes to various journals in Hispanic America and the United States. Diego is a teacher.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860475441222,"sku":"PFO-65-BOO-PF22","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-un-sabado-por-la-manana-diego-l-garcia1.jpg?v=1775859041"},{"product_id":"book-un-motivo-sobrenatural-jorge-javier-romero","title":"book un motivo sobrenatural JORGE JAVIER ROMERO","description":"\u003cp\u003ea harmless beast, hidden from the world, polishes gemstones for an invisible swan. or poems like mirrors for wary fauna. the luxury of introverts lies in dancing within that secret, and in finding—within their exile—the arrow that transforms the body into a flower of time. no modernity is capable of extinguishing the custom of keeping sweets or miniatures as amulets. Jorge’s poems fit around the neck like tiny medallions bearing Latin inscriptions or the name of a loved one. one need only hold them between one’s fingertips and lightly trace their surface to regain faith and patience. everything shall pass. could that be his supernatural sentiment? a distant voice—joyful to have appeared elsewhere—sighs. \u003cem\u003eFran Bariffi \u0026amp; Ignacio Repetto\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e23 pages\u003c\/li\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eBuenos Aires, October 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJorge Javier Romero \u003c\/strong\u003e(Caracas, 1993) is a poet, writer, and translator. in recent years, he has focused on writing fragments. some of his poems, articles, and short stories have appeared in digital and print media in Venezuela, Mexico, Argentina, and the USA. he has lived in Buenos Aires since 2019.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860478652486,"sku":"PFO-65-BOO-PF14","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-un-motivo-sobrenatural-jorge-javier-romero-1.jpg?v=1775859412"},{"product_id":"book-tres-cuentos-mariana-gaitan-truchsess","title":"book tres cuentos MARIANA GAITÁN TRUCHSESS","description":"\u003cp\u003ethe three stories Mariana has gathered in this book should be read quickly and straight through. this is recommended because, almost certainly, she consulted her “trusted metamorphologist” while writing them. hence, she challenges us with diffuse realities and shifting creatures that reinvent themselves right before our eyes. the rarefied atmospheres and strange situations found in these narratives—seasoned, here and there, with touches of “paprika of laughter”—appear to be the result of “prudently unusual approximations” of “sufficiently different words,” much as the writer Gianni Rodari defined his own inventive binomials. indeed, our author always keeps this particular seasoning close at hand—both when she writes, and when she spices up the books she shares with the young readers at the school library where she works. \u003cem\u003eCecilia Pisos\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e14 pages\u003c\/li\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003cspan lang=\"ES\"\u003eMariana Gaitán Truchsess \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"ES\"\u003e(Caracas, 1996)\u003cspan\u003e \u003c\/span\u003estudied \u003cem\u003eLetras en la Universidad Católica Andrés Bello\u003c\/em\u003e and in the \u003cem\u003eUniversidad de Buenos Aires\u003c\/em\u003e. she is a bookseller and librarian.\u003c\/span\u003e\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860479668294,"sku":"PFO-65-BOO-PF09","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-tres-cuentos-mariana-gaitan-truchsess-1.jpg?v=1775859609"},{"product_id":"book-testimonios-para-invocar-a-un-viajante-patricio-ruiz","title":"book testimonios para invocar a un viajante PATRICIO RUIZ","description":"\u003cp\u003e\u003cem\u003eTestimonios para invocar a un viajante\u003c\/em\u003e—rather than a stage play or a film embedded within a play—is an archive: a proliferating succession of voices, images, audio recordings, and phrases. like an offering, an actor-director edits together fragments concerning a lover he met while traveling, whom he attempts to reconstruct through the testimonies of those who remember him. \u003cem\u003eAndrés Gallina \u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e62 pages\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eTestimonios para invocar a un viajante \u003c\/i\u003ewon First Prize in the National Arts Fund Playwriting Competition in 2017. the play premiered in September 2019 at the Cervantes National Theatre and received the Argentores Award that year.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eCast: Diego Benedetto, Flor Dyszel, Belén Gatti, and Agustín Rittano\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eVideo Actor: Patricio Ruiz\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eVideo: Majo Malvares and Gimena Tur\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eChoreography: Jazmín Titiunik\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eMusic: José Ocampo\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eLighting Design: Verónica Alcoba\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eCostume Design: Gustavo Alderete\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSet Design: Cecilia Zuvialde\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eText: Patricio Ruiz\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eDirector: Maruja Bustamante\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860489465926,"sku":"PFO-65-BOO-PF12","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-testimonios-para-invocar-a-un-viajante-patricio-ruiz-1.jpg?v=1775859735"},{"product_id":"book-siglo-xx-leccion-final-daniel-link","title":"book siglo xx: lección final DANIEL LINK","description":"\u003cp\u003eabove all, throughout all these years, Daniel taught us that reading is not about applying a model constructed elsewhere—nor is it about adopting a rigid paradigm devised in some seemingly prestigious corner of the universal republic of letters—but rather about inhabiting a text from a standpoint that seeks to be neither peripheral nor marginal, for it understands that there are no centers or peripheries; or, in any case, that if such centers and peripheries were to exist, we ought to dispense with them and read from a different place. to read from a place of difference and experience. from a place of happiness and desire—never from a place of deprivation or lack. the twentieth century, therefore—just as Daniel conceived of it from his very first courses—allows us to dispense with national paradigms, and with canonical and linguistic universes that are hermetically sealed within themselves. \u003cem\u003eDiego Bentivegna\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e46 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art: Nazarena Mastronardi\u003c\/li\u003e\n\u003cli class=\"p3\"\u003einterior cover photography: Sebastián Freire\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003cem\u003epequeña fortuna\u003c\/em\u003e editions\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eBuenos Aires, November 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDaniel Link \u003c\/strong\u003e(Buenos Aires, 1959) is a writer. for 34 years, he held the chair of Comparative Philology, specializing in 20th-Century Literature, at the University of Buenos Aires. he lives in the province of Buenos Aires and currently directs the \u003ci\u003eInstituto de Estudios Filológicos Lationamericanos \u003c\/i\u003e“Ana María Barrenechea” in the \u003ci\u003eUniversidad Nacional de Tres de Febrero, \u003c\/i\u003ewhere he also coordinates the Bachelor's and Teaching Degree programs in Literature, which he founded. He has published essays, novels, plays, children's literature, and poems. his work has been translated into Portuguese, English, Italian, and French. in 2022, Gallimard published \u003ci\u003eAutobiographie d'un lecteur argentin\u003c\/i\u003e, translated by Charlotte Lemoine.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ehe is currently researching the relationships between the technical conditions of knowledge production (including artificial intelligence), stylistic environments, and dissident literary forms. he participates in the \u003ci\u003eCátedra Libre de Estudios Filológicos Lationamericanos\u003c\/i\u003e, which he founded at the University of Buenos Aires (UBA), and directs two journals at the National University of Tres de Febrero (UNTREF): Chuy. \u003ci\u003eRevista de literaturas latinoamericanas \u003c\/i\u003eand \u003ci\u003eNueva revista de literaturas populares\u003c\/i\u003e.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860507783238,"sku":"PFO-65-BOO-PF25","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-siglo-xx-leccion-final-daniel-link-1.jpg?v=1775860043"},{"product_id":"book-my-dear-fashion-rita-chiabo","title":"book my dear fashion RITA CHIABO","description":"\u003cp\u003ewith a sensitive and unprejudiced gaze, Rita Chiabo observes and interacts with the people who pass through the famous second-hand clothing store where she works. as if she were the leading actress in a film, we view—through her perspective—an eclectic landscape where glamour and decay coexist. the *nouveau riche*, the wistfully nostalgic, luxury handbags, pop stars, hoarders, elegant ladies, tacky knockoffs, chic \u003cem\u003ewags\u003c\/em\u003e, furs once owned by deceased aristocrats, people on edge, drop-dead beauties, supermodels, forgotten cash, tv celebrities, pocket lint, unruly children, items of sentimental value, and closets smelling of mildew. The clothing takes on new meaning—and so do its new owners. in *My Dear Fashion*, we glimpse the intimate lives and histories of these individuals through every garment. to be a poet is a way of inhabiting the world—a punk gesture that brings a spark to the daily grind of work. \u003cem\u003eNiki Rouge\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e23 pages\u003c\/li\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRita Chiabo\u003c\/strong\u003e (Rafaela, 1995) is a poet and visual artist. she has published \u003cem\u003eDomingo\u003c\/em\u003e (self-published fanzine), \u003cem\u003eLa belleza contenido\u003c\/em\u003e (Ediciones Danke), and \u003cem\u003eLa perla del oeste\u003c\/em\u003e (Editorial Municipal Rafaela). she has contributed to the anthologies of young poets \u003cem\u003eVan llegando\u003c\/em\u003e (Mansalva) and \u003cem\u003eRitual de amor \u003c\/em\u003e(Alfaguara).\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860527738950,"sku":"PFO-65-BOO-PF10","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-my-dear-fashion-rita-chiabo-1.jpg?v=1775860535"},{"product_id":"book-meditaciones-discretas-ignacio-polo","title":"book meditaciones discretas IGNACIO POLO","description":"\u003cp\u003eoh, what must the lapacho trees be thinking—afternoon after afternoon—as centuries-old sentiments ripen beneath their bark? Ignacio is no anthropologist, yet here he brings his answers into order. he knows well the nature of slow time—uncluttered by events—that greets the swaying of a window during the afternoon siesta. his is an active waiting, one that only occasionally allows itself to be guided by weariness or boredom.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e60 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art: Gala Altamare\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003cem\u003epequeña fortuna\u003c\/em\u003e editions\u003cb\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eBuenos Aires, July 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eIgnacio Polo (Corrientes, 1994) was born in the city of Corrientes and won first prize in poetry in high school. he lived in Buenos Aires, where he studied cinematography. He published \u003ci\u003eContento con mi tristeza\u003c\/i\u003e (Socios Fundadores, 2024). this is his second book.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860530262086,"sku":"PFO-65-BOO-PF21","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-meditaciones-discretas-ignacio-polo-1.jpg?v=1775860667"},{"product_id":"book-improvisar-taller-de-magia-y-poesia-de-ceci-y-fer","title":"book improvisar TALLER DE MAGIA Y POESÍA DE CECI Y FER","description":"\u003cp\u003ethis anthology gathers the texts written during the \u003cem\u003eTaller de magia \u003c\/em\u003ethat Ceci and Fer led virtually in January 2025. And while the world today imposes its own pace with determined violence, experiencing art through friendship - and entering the time of poetry - is already, at least for a moment, like living in another world, or in another time.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e72 pages\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFernanda Laguna\u003c\/strong\u003e (Hurlingham, 1972) is an artist, writer, curator, editor, cultural manager, homemaker, and bisexual. her first chapbook, \u003ci\u003ePoesías\u003c\/i\u003e, was published in 1995. Much of her poetic work is collected in \u003ci\u003eControl o no control\u003c\/i\u003e (Mansalva, 2012), \u003ci\u003eLa princesa de mis sueños \u003c\/i\u003e(Ivan Rosado, 2018), and \u003ci\u003eLos grandes \u003c\/i\u003eproyectos (Página\/12, 2018). under the pseudonym Dalia Rosetti, one of her other personas, she published the novels \u003ci\u003eTatuada para siempre\u003c\/i\u003e (Belleza y Felicidad, 1999), \u003cem\u003eDurazno reverdeciente\u003c\/em\u003e (Eloísa Cartonera, 2003), \u003ci\u003eMe encanta que gustes de mí \u003c\/i\u003e(Mansalva, 2006), \u003ci\u003eDame Pelota\u003c\/i\u003e (Mansalva, 2009), \u003cem\u003eSueños y pesadillas\u003c\/em\u003e (Mansalva, 2016), and \u003ci\u003eEl fuego entre nosotras\u003c\/i\u003e (Random House, 2021). She also published \u003cem\u003eFernanda Laguna para colorear\u003c\/em\u003e (Mansalva, 2017). her writings on art are collected in \u003ci\u003eEspectacular\u003c\/i\u003e (Ivan Rosado, 2019), and her visual art from the 1990s is featured in \u003ci\u003eAmor total. Los 90 y el camino del corazón\u003c\/i\u003e (Ivan Rosado, 2020).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eCecilia Pavón \u003c\/strong\u003e(Mendoza, 1973) has lived in Buenos Aires since the 1990s, where she earned a degree in Literature from the \u003ci\u003eUniversidad de Buenos Aires\u003c\/i\u003e. In 1999, she and Fernanda Laguna founded the art gallery and publishing house \u003ci\u003eBelleza y Felicidad\u003c\/i\u003e (Beauty and Happiness). she has published the prose books \u003ci\u003eNomadismo por mi país\u003c\/i\u003e (Nomadism Through My Country), \u003ci\u003eLos sueños no tienen copyright \u003c\/i\u003e(Dreams Have No Copyright), \u003ci\u003eOnce Sur\u003c\/i\u003e (South Eleven), P\u003ci\u003eequeño recuento sobre mis faltas\u003c\/i\u003e (A Small Recount of My Mistakes), and \u003ci\u003eTodos los cuadros que tiré\u003c\/i\u003e (All the Paintings I Thrown Away); and the poetry collections \u003ci\u003eDiario de una persona inventada\u003c\/i\u003e (Diary of an Invented Person), \u003ci\u003e27 poemas con nombre de persona \u003c\/i\u003e(27 Poems with a Person's Name), \u003ci\u003eUn hotel con mi nombre \u003c\/i\u003e(A Hotel with My Name), \u003ci\u003eQuerido libro\u003c\/i\u003e (Dear Book), and \u003ci\u003eLa libertad de los bares\u003c\/i\u003e (The Freedom of Bars), among others.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860549398598,"sku":"PFO-65-BOO-PF17","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-improvisar-taller-de-magia-y-poesia-de-ceci-y-fer-1.jpg?v=1775861038"},{"product_id":"book-evocacion-de-la-soledad-arturo-jacinto-alvarez","title":"book evocación de la soledad ARTURO JACINTO ÁLVAREZ","description":"\u003cp\u003ethere is a story about Arturito in which he undergoes nose surgery to look like his dog; another in which he pays for a farmhand’s training as a dancer; and yet another in which he wakes up in the middle of the night to liberate a lamb destined to become the Paschal lamb—in the form of a traditional roast. Arturito appears as a character in Manuel Mujica Láinez’s\u003cem\u003e Invitados en el Paraíso\u003c\/em\u003e; he makes a brief appearance in Sylvia Molloy’s \u003cem\u003eEl común olvido \u003c\/em\u003eand in Leopoldo Marechal’s \u003cem\u003eAdán Buenosayres.\u003c\/em\u003e yet he remains indifferent to these appearances and seems never to have read the books in question. - \u003cem\u003eMaría Moreno\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e61 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003epequeña fortuna ediciones\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eBuenos Aires, August 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eArturo Jacinto Álvarez\u003c\/strong\u003e (Buenos Aires, 1921–2003), also known as “Arturito,” was a dandy, editor, and translator, a friend of the circle of women writers associated with the magazine \u003ci\u003eSur\u003c\/i\u003e. in 1948, he founded the publishing house \u003ci\u003eLa Perdiz\u003c\/i\u003e, which collaborated with artists such as Hector Basaldúa, Juan Battle Planas, Raúl Soldi, and Josefina Robirosa. he published the short stories \u003ci\u003eUn almuerzo sagrado \u003c\/i\u003e(1948) and \u003ci\u003eEvocación de La Soledad\u003c\/i\u003e (1948), the novel \u003ci\u003eEsvén\u003c\/i\u003e (1960), and the poetry collection \u003ci\u003eCinco sonetos\u003c\/i\u003e (1962).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDiana Teira\u003c\/strong\u003e (Villa Domínico, Buenos Aires, 1992) works as a visual arts teacher in schools throughout the province. a graduate of the \u003ci\u003eUniversidad Nacional de las Artes\u003c\/i\u003e (2014), she studied with Carlos Bissolino. in 2022, she participated in \u003ci\u003eManglar\u003c\/i\u003e, coordinated by André Labaké. She has worked with \u003ci\u003ePM Galería\u003c\/i\u003e on several projects, including participation in \u003ci\u003earteba\u003c\/i\u003e (2022), MAC Córdoba (2023), and \u003ci\u003ePokemostra\u003c\/i\u003e (2023). she also participated in \u003ci\u003eSalón Travieso\u003c\/i\u003e at the ECA Mendoza (2023), the exhibition \"18 Minutes from the Sun\" at the \u003ci\u003eMuseo Moderno de Buenos Aires\u003c\/i\u003e (2023), and \"Acid Rain\" at the \u003ci\u003eCentro Cultural Recoleta\u003c\/i\u003e (2025). she is currently enrolled in the Artists Program at Torcuato Di Tella University (2025).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ethe publishing house states it has made every effort to locate the heirs of Arturo Jacinto Álvarez. if you recognize yourself as such, please contact them.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860563324998,"sku":"PFO-65-BOO-PF23","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-evocacion-de-la-soledad-arturo-jacinto-alvarez-1.jpg?v=1775861479"},{"product_id":"book-el-borde-azul-fran-bariffi","title":"book el borde azul FRAN BARIFFI","description":"\u003cp\u003ethis is a quiet book—like a song left floating across the meadow. quiet, because Fran knows that words arrive in their own time, in their own way, to come to rest upon the pages of the notebook. perhaps writing is nothing more than a long, singular meditation: a way to learn how to receive the wind. and these poems are its first breath. -\u003cem\u003e Ignacio Repetto\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e33 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art: Gala Altamare\u003c\/li\u003e\n\u003cli class=\"p5\"\u003eBuenos Aires, November 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFran Bariffi \u003c\/strong\u003e(Azul, 1998) is a writer. he studied Literature at the University of Buenos Aires. he gives reading workshops and edits for \u003cem\u003eEvasión\u003c\/em\u003e and \u003cem\u003ePequeña fortuna\u003c\/em\u003e.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860570632262,"sku":"PFO-65-BOO-PF15","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-el-borde-azul-fran-bariffi-1.jpg?v=1775862209"},{"product_id":"book-chicos-de-ciudad-lia-quezada","title":"book chicos de ciudad LIA QUEZADA","description":"\u003cp class=\"p1\"\u003elove is a dangerous substance—a drug that admits no dosage. a bad combination yields a toxic, indigestible brew; a good one synthesizes the lucidity of the sky when it clears. Lia wrote these poems during that hour of awe and wonder, while awaiting the clouds. poems like still meditations. Poems like incantations to summon the next poem.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e32 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art: Crexmaniak, \u003ci\u003eFeiz Book\u003c\/i\u003e, tomada de \u003ci\u003eFanzinología mexicana (1985-2015)\u003c\/i\u003e, Enrique Arriaga Celis e Inés Estrada Silva (comps), UNAM, México D.F., 2015 y reproducida con autorización del autor.\u003c\/li\u003e\n\u003cli class=\"p3\" style=\"font-style: italic;\"\u003e\u003cem\u003epequeña fortuna ediciones\u003c\/em\u003e\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eBuenos Aires, May 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLia Quezada \u003c\/strong\u003e(Guadalajara, 2000) writes poetry and art criticism. in 2024, she founded the publishing house \u003ci\u003eDiamantina\u003c\/i\u003e. Her books \u003cem\u003eTodo lo que escribo termina en Buenos Aires\u003c\/em\u003e (Everything I Write Ends in Buenos Aires) and \u003cem\u003ePoeta de Eugenia\u003c\/em\u003e (Poet of Eugenia) were self-published in 2023. the former, based on the diary Lia kept during her first stay in Buenos Aires, was photocopied on the ground floor of Building A at the Faculty of Political Science; the latter was risograph printed in Guadalajara, and then in Mexico City.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860578037830,"sku":"PFO-65-BOO-PF20","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-chicos-de-ciudad-lia-quezada-1.jpg?v=1775862457"},{"product_id":"book-aprendiz-de-hada-antonia-kon-lourdes-saez","title":"book aprendiz de hada ANTONIA KON, LOURDES SAEZ bilingual edition: spanish-japanese","description":"\u003cp\u003ethe poems in \u003cem\u003eAprendíz de hada\u003c\/em\u003e are a mirror of a longed-for transformation. amidst delicate dresses, sweets, animals, and other sacred gifts, a magical creature lives secluded in her subterranean room of fantasies. a magical creature, a magical girl, a Sailor Moon. many of us wish our selves were like that creature of poetry, an immortal doll, calm and beautiful, with bold ruffles and newly sewn wings, ready to soar before the inexorability of fate.\u003c\/p\u003e\n\u003cp\u003esuch a precious and intricately detailed object demands not only a careful gaze to be truly appreciated. its creation also required a second language, Japanese, and the focused energies of a trio, a third mind called Shoujo Mishitsu: Paula, Antonia, and Lourdes; illustrator, poet, and translator.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e16 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ebilingual edition: Spanish-Japanese\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art\u003cb\u003e:\u003c\/b\u003e Paula Fernández, @pollypyun\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAntonia Kon \u003c\/strong\u003e(Buenos Aires, 2000) is a journalist whose work has appeared in publications such as \u003ci\u003ePágina 12\u003c\/i\u003e, Rolling Stone, \u003ci\u003eClarín\u003c\/i\u003e, and \u003ci\u003eLa Agenda\u003c\/i\u003e. she is the co-author of the book \u003cem\u003eSobre el trabajo de Yael Desbats\u003c\/em\u003e (Actividad de Uso, 2023). she is currently pursuing a Bachelor's degree in Writing Arts at the National University of the Arts (UNA).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLourdes Saez\u003c\/strong\u003e (Buenos Aires, 1996) is a freelance Japanese translator for publishers in Argentina, Spain, and the United States. her work includes the translation of the manga adaptation of Yoru Sumino's novel \u003cem\u003eQuiero comerme tu páncreas\u003c\/em\u003e. she is currently studying Biochemistry at the University of Buenos Aires (UBA).\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860582592582,"sku":"PFO-65-BOO-PF19","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-aprendiz-de-hada-antonia-kon-lourdes-saez-1.jpg?v=1775862809"},{"product_id":"book-a-menudo-en-jaula-valeria-mussio","title":"book a menudo en jaula VALERIA MUSSIO","description":"\u003cp\u003eIsn't it strange birds exist? These things that move through a realm forbidden to us? In a thousand different ways and with such languages!\u003c\/p\u003e\n\u003cp\u003eSome people ignore birds, and others watch them endlessly. They can't believe it. They are full of meaning, of sense, of metaphor, of hidden messages and oracles, isn't that obvious? They demand that we use words for them: \"look how it puffs up when it sleeps, yellow and plump like me\"; \"I remember it above all, in the way it died\"; \"you know it's impossible to hear words when other beautiful things sound like this.\"\u003c\/p\u003e\n\u003cp\u003eValeria is one of those who looks and sees. She looks at birds because she sees people. Her poems work like a foundry: the aerial and human material converge to forge poems that speak with beauty. They chirp this: this is who we are, this is how we love, this is how we die; this is how we remain trapped or fly far away, to return or never to return.\u003c\/p\u003e\n\u003cp\u003eLaura Wittner\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e25 pages\u003c\/li\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eValeria Mussio\u003c\/strong\u003e (Tres Arroyos, 1996) grew up in Bahía Blanca and lives in Buenos Aires. She holds a degree in Literature from the National University of the South. she directs \u003cem\u003eMatrerita\u003c\/em\u003e, a digital publishing house that publishes young poets from across Latin America. she is included in the eco-poetry anthology \u003cem\u003eRuge el Bosque\u003c\/em\u003e (The Forest Roars). she won the Buenos Aires Young Art Biennial in 2021 and 2023 in the Poetry and Literary Projects categories. she is part of the \u003cem\u003eIsla Invisible\u003c\/em\u003e (Invisible Island) project. she has published \u003cem\u003eHasta Pronto, querida \u003c\/em\u003e(See You Soon, My Dear) with \u003cem\u003ePeces de Ciudad Ediciones\u003c\/em\u003e (Argentina), \u003cem\u003eNuestros refugios a medio armar\u003c\/em\u003e (Our Half-Assembled Shelters) with \u003cem\u003eEditorial Liliputienses \u003c\/em\u003e(Spain), and \u003cem\u003eUn perro no sabe que puede destruir\u003c\/em\u003e (A Dog Doesn't Know It Can Destroy) with \u003cem\u003eAlquimia Ediciones\u003c\/em\u003e (Chile\/Argentina). \u003cem\u003eA menudo en jaula\u003c\/em\u003e was awarded by the Buenos Aires Young Art Biennial 2023 in the “Literary Projects” category by a selection committee composed of Laura Wittner, Santiago Loza and Lara Segade.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860588687430,"sku":"PFO-65-BOO-PF08","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-a-menudo-en-jaula-valeria-mussio-1.jpg?v=1775863297"},{"product_id":"book-mi-piel-desnuda-colectivo-xkusamoob","title":"book mi piel desnuda COLECTIVO XKUSAMO'OB","description":"\u003cp class=\"p1\"\u003ecollection of ten contemporary Maya authors exploring erotic poetry from their perspective as female writers and indigenous women. this book was possible with the support of the association \u003cem\u003eNarrativas desde la Mayanidad\u003c\/em\u003e. we spent some time thinking about erotic poetry jokes, but none were remotely decent enough to pair up with how good this book is; it is a beautiful moment to slow down, and let yourself be enveloped in the authors' lines.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e72 pages\u003c\/li\u003e\n\u003cli\u003eMaya Yucateco, Spanish, and German\u003c\/li\u003e\n\u003cli\u003erisograph print\u003c\/li\u003e\n\u003cli\u003eartisanal bookbinding\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CAPULÍN TALLER EDITORIAL","offers":[{"title":"Default Title","offer_id":44894202200134,"sku":"CAP-32","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/capulin-taller-editorial-mexico-32-book-colectivo-xkusamo_ob-mi-piel-desnuda-1.jpg?v=1776117410"}],"url":"https:\/\/chichimbre.com\/collections\/books.oembed?page=2","provider":"Chichimbre","version":"1.0","type":"link"}