{"title":"PEQUEÑA FORTUNA","description":"","products":[{"product_id":"zine-valentin-demarco-22-pequena-fortuna","title":"zine VALENTÍN DEMARCO 22 PEQUEÑA FORTUNA","description":"\u003cp class=\"p1\"\u003epart of the \u003cem\u003egrandes tesoros \u003c\/em\u003ecollection: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eValentín Demarco\u003c\/strong\u003e (Olavarría, 1986) holds a degree in Visual Arts from the \u003ci\u003eUniversidad Nacional de las Artes \u003c\/i\u003e(2017). from 2012 to 2020, he attended Diana Aisenberg's workshop. as a teenager, he trained in silversmithing under the tutelage of Armando Ferreira at the \u003ci\u003eEscuela Municipal de Orfebrería de Olavarría\u003c\/i\u003e. his solo exhibitions include:  “No soy de aquí?” (Dámaso Arce Museum, 2021), “Patrimonio y algo más… (Isla Flotante Gallery, 2019), and “Indio vago, gaucho matrero, artista contemporáneo” \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(Espacio Diagonal, 2014). His work has been included in group exhibitions at the \u003c\/span\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMuseo de Arte Latinoamericano de Buenos Aires\u003c\/i\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e, the \u003c\/span\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCentro Cultural Haroldo Conti,\u003c\/i\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e the \u003c\/span\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMuseo Emilio Caraffa (Córdoba)\u003c\/i\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e, and the \u003c\/span\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eColección Amalia Lacroze de Fortabat\u003c\/i\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e. he has received awards from the \u003c\/span\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFundación Telefónica \u003c\/i\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(2012) and the \u003c\/span\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFondo Nacional de las Artes\u003c\/i\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e (\u003c\/span\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBeca Bicentenario\u003c\/i\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e, 2016). he won the \u003c\/span\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePremio Revelación Fundación Andreani a las Artes Visuales\u003c\/i\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e (2013), the Lucio Fontana Prize from the Italian Consulate General in Buenos Aires (2014), and Second Prize in the 11th UADE National Visual Arts Competition (2016). he is currently developing a feature film inspired by the folk singer Jorge Cafrune.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003epequeña fortuna ediciones\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cem\u003egrandes tesoros\u003c\/em\u003e collection\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBuenos Aires, November 2025\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1-4. Sin título (de la serie “Un episodio en la vida del artista popular”), 2016. Lápiz s\/papel, 30 x 21 cm\u003c\/li\u003e\n\u003cli\u003e5. \u003ci\u003eEl país de la promiscuidad y la amargura\u003c\/i\u003e (de la serie “Argenterías”), 2023. Fotografía digital, 70 x 47 cm\u003c\/li\u003e\n\u003cli\u003e6. \u003ci\u003eLa cueva del peludo\u003c\/i\u003e (de la serie “Argenterías”), 2022. Alpaca con baño de plata y cola de armadillo, 21 x 4 x 3 cm\u003c\/li\u003e\n\u003cli\u003e7. Sin título (de la serie “Un episodio en la vida del artista popular”), 2016. Lápiz s\/papel, 30 x 21 cm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860218572870,"sku":"PFO-67-ZIN-GT22","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-valentin-demarco-1.jpg?v=1775847532"},{"product_id":"zine-santiago-villanueva-18-pequena-fortuna-1","title":"zine SANTIAGO VILLANUEVA 18 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003epart of the \u003cem\u003egrandes tesoros \u003c\/em\u003ecollection: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eSantiago Villanueva\u003c\/strong\u003e (Azul, 1990) is an artist and curator. since 2010, he has participated in and managed the following spaces: \u003ci\u003eNuevo Museo Energía de Arte Contemporáneo.\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLa Ene, Alfombra Roja (Red Carpet), 2019 Spazio de Arte, Para vos... Norma Mía, Eros, pu chi pu li, and La Lengua. working as an editor, he has contributed to the magazine \u003ci\u003eMancilla\u003c\/i\u003e and \u003ci\u003eSegunda época\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ethese collages were originally exhibited at \u003ci\u003eEl Vómito \u003c\/i\u003ein 2020. since 2015, he has worked with the \u003ci\u003eIsla Flotante\u003c\/i\u003e gallery\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1. Sin título (de la serie collages y mesas revueltas), 2020. collage s\/tela, 30 x 90 cm (detalle)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e2-7. Sin título (de la serie collages y mesas revueltas), 2020. collage s\/tela, 24 x 18 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ework record: Benjamín Vizcaino (@siesta._)\u003c\/p\u003e\n\u003cp\u003eBuenos Aires, May 2025\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860246163526,"sku":"PFO-67-ZIN-GT18","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-santiago-villanueva-1.jpg?v=1775848873"},{"product_id":"zine-pablo-gomez-samela-12-pequena-fortuna","title":"zine PABLO GÓMEZ SAMELA 12 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003epart of the \u003cem\u003egrandes tesoros \u003c\/em\u003ecollection: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePablo Gómez Samela \u003c\/strong\u003e(Corrientes, 1987) is a visual artist, photographer, and director. he transitioned from taking photos with compact cameras and Polaroids to other mediums such as documentary, video art, and music videos. he is interested in moments that can become a scene in a film. self-portraiture became the perfect excuse to leave a fictional record of the pop universe, of dreams, of siesta time, making visible desires, vanity, what is unspoken, and what is hidden both in front of and behind a curtain.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003esince 2022, he has been a co-founder of the \u003ci\u003earte Primor\u003c\/i\u003e gallery. he is currently working on his first feature film\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eXadres y verano en el litoral,\u003c\/i\u003e 2021.\u003ci\u003e \u003c\/i\u003edigittal photography.\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eI’m Italian,\u003c\/i\u003e 2020. digital photography\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eUn corazón bordado,\u003c\/i\u003e 2021. digital photography\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eItalianas y argentinas\u003c\/i\u003e, 2022. digital photography and collage\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003ePabli en revistas y en la tv, \u003c\/i\u003e2022. digital photography and collage\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eDe Koons a la Cicciolina #3\u003c\/i\u003e, 2020. digital photography\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eFideos y costumbres\u003c\/i\u003e, 2021. digital photography\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860275523654,"sku":"PFO-67-ZIN-GT12","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-pablo-gomez-samela-1.jpg?v=1775849964"},{"product_id":"zine-maxi-murad-14-pequena-fortuna","title":"zine MAXI MURAD 14 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003epart of the \u003cem\u003egrandes tesoros \u003c\/em\u003ecollection: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMaxi Murad \u003c\/strong\u003e(Córdoba, 1979) is a graduate of the \u003ci\u003eEscuela de Bellas Artes Manuel Belgrano\u003c\/i\u003e. he studied painting in Dante Montich's workshop in Córdoba, drawing with Tomás Fracchia, printmaking with Lucrecia Orloff, mural painting with Max Gómez Canle, and attended a workshop on artistic analysis with Ernesto Ballesteros.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ehe has held solo exhibitions at the \u003ci\u003eCentro Cultural Recoleta\u003c\/i\u003e, the \u003ci\u003eCentro Cultural San Martín\u003c\/i\u003e, the \u003ci\u003eMuseo de Arte Contemporáneo \u003c\/i\u003eof Santa Cruz de la Sierra (Bolivia), the Naranja Verde Gallery, and the Moria Gallery. he has participated in group exhibitions at the Klemm Foundation, the OSDE Foundation, \u003ci\u003eSalón Nacional de Artes Visual\u003c\/i\u003e, and the \u003ci\u003eSalón Manuel Belgrano\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ein 2012, he received an Honorable Mention in drawing at the \u003ci\u003eSalón Nacional de Artes Visuales\u003c\/i\u003e, and in 2022, he won Third Prize at the “XV Premio Nacional de Pintura del Banco Central de la República Argentina. He lives and works in Buenos Aires. since 2020, he has been represented by the \u003ci\u003eMoria Galería\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003ecombatían el mal con el mal,\u003c\/i\u003e 2022\u003ci\u003e. \u003c\/i\u003eMosaico calcáreo, 24 x 24 x 2 cm (detalle)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eel grito perfecto de alguna pandilla salvaje\u003c\/i\u003e, 2021. Mosaico calcáreo, 74 x 116 x 2 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eN I R V A N A, el aspecto inmortal del sendero\u003c\/i\u003e, 2021. Mosaico calcáreo, 74 x 116 x 2 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eel grito perfecto de alguna pandilla salvaje\u003c\/i\u003e, 2021. Mosaico calcáreo, 74 x 116 x 2 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003e519600 juan y margarita\u003c\/i\u003e, 2023. Mosaico calcáreo, 35 x 50 x 2 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003esalí a ver las flores y ya no estaban,\u003c\/i\u003e 2022\u003ci\u003e. \u003c\/i\u003eMosaico calcáreo, 46 x 54 x 2 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eprimeras vertientes, camionero sueña\u003c\/i\u003e, 2022\u003ci\u003e. \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003eMosaico calcáreo, 54 x 46 x 2 cm\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860282765382,"sku":"PFO-67-ZIN-GT14","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-maxi-murad-1.jpg?v=1775850418"},{"product_id":"zine-lulo-demarco-15-pequena-fortuna","title":"zine LULO DEMARCO 15 PEQUEÑA FORTUNA","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epart of the \u003c\/span\u003e\u003cem\u003egrandes tesoros\u003c\/em\u003e\u003cspan\u003e collection: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLulo Demarco\u003c\/strong\u003e (Montevideo, 1991) is an interdisciplinary artist who began his practice in 2014, between Uruguay and Argentina, founding the video art collective \u003ci\u003eBásicaTV\u003c\/i\u003e and using the UV Estudios gallery as its central hub for action and community. he works with video, sculpture, food, and any medium that can be edited. recently, Demarco has undertaken research encompassing relational art, curating, and group experiences. from a bioqueer perspective, his practice focuses on real and imagined life systems and their modes of operation through elusive strategies that shape enjoyment and the absurd.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eHombres en Línea,\u003c\/i\u003e 2023\u003ci\u003e. \u003c\/i\u003eimpresión Luster 260g, 60 x 120 cm (detalle)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eMarcha (Pueblos)\u003c\/i\u003e, 2023. impresión Luster 260g, 70 x 50 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eMarcha (Viejos)\u003c\/i\u003e, 2023. impresión Luster 260g, 70 x 50 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eMarcha (Mujeres)\u003c\/i\u003e, 2023. impresión Luster 260g, 70 x 50 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eGlaciar\u003c\/i\u003e, 2023. impresión Luster 260g, 70 x 50 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eDuende\u003c\/i\u003e, 2023. impresión Luster 260g, 70 x 50 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eMarcha (Niños)\u003c\/i\u003e, 2023. impresión Luster 260g, 70 x 50 cm\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860288598086,"sku":"PFO-67-ZIN-GT15","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-lulo-demarco-1.jpg?v=1775850698"},{"product_id":"zines-julieta-oro-06-pequena-fortuna","title":"zines JULIETA ORO 06 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epart of the \u003c\/span\u003e\u003cem\u003egrandes tesoros\u003c\/em\u003e\u003cspan\u003e collection: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJulieta Oro \u003c\/strong\u003e(Mendoza, 1986) holds a degree in Visual Arts from the \u003ci\u003eUniversidad Nacional de las Artes \u003c\/i\u003e(UNA). she participated in art critiques and workshops with Pablo Siquier, Hernán Salamanco, and Tulio de Sagastizábal. she has been involved with \u003ci\u003eCIAntifascistas\u003c\/i\u003e (Center for Artistic Research) and the training programs \u003ci\u003eTaller Compartido\u003c\/i\u003e at the \u003ci\u003egalería CRUDO\u003c\/i\u003e in Rosario, as well as the fourth edition of \u003ci\u003eArtistas x Artistas\u003c\/i\u003e at the \u003ci\u003eFundación El Mirador\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eshe was selected for the 26th Klemm Prize and the \u003ci\u003ePremio de Pintura Banco Central \u003c\/i\u003e(2022). she received an Honorable Mention at the \u003ci\u003eSalón Félix Amador\u003c\/i\u003e in Vicente López (2020). she participated in several group exhibitions, including: Ozio, curated by Ana Volonté (La Plata, 2024); \u003ci\u003eAtravesar el espejo\u003c\/i\u003e (Praxis Galería, 2023); \u003cem\u003eConsumos de verano\u003c\/em\u003e (Wunsch Gallery and Self-portrait Gallery III at Laboratorio de Festival, 2022), both curated by Ana Markman; and \u003cem\u003eLas horas\u003c\/em\u003e, curated by Carolina Cuervo and Víctor Florido (Fundación OSDE, 2022). she also had a solo exhibition: in the show \u003ci\u003eun pueblo adentro tuyo\u003c\/i\u003e, curated by Gaspar Núñez (Talenta Galería, 2023).\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eCrisantemos\u003c\/i\u003e, 2022\u003ci\u003e. \u003c\/i\u003eóleo s\/tela, 142x120 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eUnas flores que abren sus brazos, \u003c\/i\u003e2023. óleo s\/tela, 30x40 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eEntrelazados\u003c\/i\u003e, 2023. óleo s\/tela, 70x80cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003ePodio con gallinas\u003c\/i\u003e, 2020. óleo s\/tela, 30x40cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003ePajaritos, \u003c\/i\u003e2024\u003ci\u003e. \u003c\/i\u003eóleo s\/yute, 30x40 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eSoñar, soñar, \u003c\/i\u003e2020\u003ci\u003e. \u003c\/i\u003eóleo s\/tela, 98x73 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eUnas flores naranjas\u003c\/i\u003e, 2021\u003ci\u003e. \u003c\/i\u003eóleo s\/tela 58x50 cm\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860290990150,"sku":"PFO-67-ZIN-GT06","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-julieta-oro-1.jpg?v=1775850953"},{"product_id":"zine-julien-05-pequena-fortuna","title":"zine JULIEN 05 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epart of the \u003cem\u003egrandes tesoros\u003c\/em\u003e collection: r\u003c\/span\u003e\u003cspan\u003eeproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJulien\u003c\/strong\u003e (La Plata, 1989) is an artist, poet, graphic designer, and DJ. his work is a blend of visual poetry and aesthetic experimentation; he explores diverse techniques and visual styles that connect with pop, trash, and queer art. he is currently represented by \u003ci\u003eNN galería\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eNube o corazón\u003c\/i\u003e, 2023\u003ci\u003e. \u003c\/i\u003eacrílico s\/tela, 30x30 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eTriste, \u003c\/i\u003e2024. acrílico s\/tela, 170x100 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eAutorretrato\u003c\/i\u003e, 2024. acrílico s\/tela, 20x20 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eAy no se\u003c\/i\u003e, 2024. acrílico s\/tela, 5x10 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eMoño, \u003c\/i\u003e2024\u003ci\u003e. \u003c\/i\u003eacrílico y moño s\/tela, 15x15 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eSi lo escribo se hace realidad, \u003c\/i\u003e2019\u003ci\u003e. \u003c\/i\u003eacrílico s\/tela, 150x110 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eI love corazón\u003c\/i\u003e, 2024\u003ci\u003e. \u003c\/i\u003eaerosol y acrílico s\/tela 100x140 cm\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860298526790,"sku":"PFO-67-ZIN-GT05","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-julien-1.jpg?v=1775851334"},{"product_id":"zine-josefina-labourt-10-pequena-fortuna","title":"zine JOSEFINA LABOURT 10 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epart of the \u003c\/span\u003e\u003cem\u003egrandes tesoros \u003c\/em\u003e\u003cspan\u003ecollection: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJosefina Labourt \u003c\/strong\u003e(Buenos Aires, 1985) holds a degree in \u003ci\u003eArtes Visuales \u003c\/i\u003eby the \u003ci\u003eUNA \u003c\/i\u003e(Argentina) and an MFA from Goldsmiths, University of London (United Kingdom). she participated in the \u003ci\u003ePrograma de artistas \u003c\/i\u003e2012 and the \u003ci\u003eLaboratorio de Cine \u003c\/i\u003e2013, both at UTDT. she trained in workshops led by artists such as Miguel Harte, Luis Terán, Patricio Larrambebere, and Guillermo Roux.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLabourt has exhibited her work internationally and locally in solo and group exhibitions at venues such as \u003ci\u003eGalería PIEDRAS\u003c\/i\u003e (2019 and 2021), Swivel Gallery (New York, 2024), the \u003ci\u003eMuseo de Arte Moderno de Buenos Aires \u003c\/i\u003e(2022-23), the Larreta Museum (2021), Galería BARRO (2019), the Recoleta Cultural Center (2019), the Palais de Tokyo (2018), the Nexialism Center for Research (Paris, 2016), and the Castagnino Macro Museum (2013), among others.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eshe was selected to participate in the \u003ci\u003eSalón Nacional \u003c\/i\u003e2023, the \u003ci\u003ePremio Klemm\u003c\/i\u003e, and the \u003ci\u003eSalón Nacional de Rosario\u003c\/i\u003e (both 2022). she won the Oxenford Foundation's Travel Grant for Artists (2020). her work was acquired by the \u003ci\u003eMuseo Moderno de Bs. As.\u003c\/i\u003e for its permanent collection (2021).\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eAparición material,\u003c\/i\u003e 2021\u003ci\u003e. \u003c\/i\u003eóleo s\/tela, 40 x 40 cm (detalle)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eCachete #2, \u003c\/i\u003e2023. tela, resina, telgopor, cartapesta, 48 x 56 x 13 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eThe carrier bag\u003c\/i\u003e, 2023. óleo y técnica mixta s\/tela, 86 x 88 x 10 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eUn anochecer resplandeciente\u003c\/i\u003e, 2023. toalla, pintura al óleo, masilla epoxi, collage, resina\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eLágrimas de piedra,\u003c\/i\u003e 2023\u003ci\u003e. \u003c\/i\u003eóleo y técnica mixta s\/tela, 150 x 120 x 15 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eVenus de toalla\u003c\/i\u003e, 2024\u003ci\u003e. \u003c\/i\u003etoalla, pintura al óleo, masilla epoxi, collage, resina, 60 x 42 x 42 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eIluminda y eterna, endurecida y tranquila\u003c\/i\u003e, 2023\u003ci\u003e. \u003c\/i\u003etelas diversas, esponja de mar, resina poliéster, pestañas postizas, cáscaras de huevos, 32 x 20 x 30 cm\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860304228422,"sku":"PFO-67-ZIN-GT10","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-josefina-labourt-1.jpg?v=1775851548"},{"product_id":"zine-jomi-ramirez-09-pequena-fortuna","title":"zine JOMI RAMÍREZ 09 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epart of the\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003egrandes tesoros \u003c\/em\u003e\u003cspan\u003e\u003cem\u003ecollection\u003c\/em\u003e: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJomi Ramírez \u003c\/strong\u003e(Falcón, Venezuela, 1997) portrays a universe of friends and strangers, inhabiting a reality that few dare to observe in detail. his works belong to a spontaneous, everyday register, capturing a unique atmosphere of the LGBTQ+ community that reflects the artist's own quest.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eMabel,\u003c\/i\u003e 2022\u003ci\u003e. \u003c\/i\u003efotografía analógica, 35mm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eOxiana, \u003c\/i\u003e2023. fotografía analógica, 35mm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eBono Bravía\u003c\/i\u003e, 2023. fotografía analógica, 35mm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eReinaldo\u003c\/i\u003e, 2023. fotografía analógica, 35mm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eOrkgotik,\u003c\/i\u003e 2023\u003ci\u003e. \u003c\/i\u003efotografía analógica, 35mm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eMorgana\u003c\/i\u003e, 2023\u003ci\u003e.\u003c\/i\u003e fotografía analógica, 35mm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci style=\"font-size: 0.875rem;\"\u003eLoladolores\u003c\/i\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, 2023\u003c\/span\u003e\u003ci style=\"font-size: 0.875rem;\"\u003e.\u003c\/i\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e fotografía analógica, 35mm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860311961670,"sku":"PFO-67-ZIN-GT09","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-jomi-ramirez-1.jpg?v=1775851788"},{"product_id":"zine-federico-juan-rubi-08-pequena-fortuna","title":"zine FEDERICO JUAN RUBÍ 08 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epart of the \u003c\/span\u003e\u003cem\u003egrandes tesoros\u003c\/em\u003e\u003cspan\u003e collection: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFederico Juan Rubí\u003c\/strong\u003e (Buenos Aires, 1985) is a professor of Visual Arts. he participated in art critiques with Veronica Gomez and Leila Stchop. he participated in the \u003ci\u003eclínica Abele\u003c\/i\u003e with Carla Barbero and Javier Villa. he participates in the art writing workshop with Claudio Iglesias. he was selected and received an honorable mention in the \u003ci\u003ePremio argentino a las artes visuales \u003c\/i\u003efrom the \u003ci\u003efundación OSDE\u003c\/i\u003e (2023). he was selected for the FNA award (2022). he curated, along with Julian Medina and Edith Chiapetto: \u003cem\u003eMisión Visión en Para vos..Norma mía\u003c\/em\u003e (2023) and \u003cem\u003eBrillo Encadenado en espacios PH\u003c\/em\u003e (2019). She held the solo exhibition \u003ci\u003eVivir!\u003c\/i\u003e, curated by Emmanuel Franco at \u003ci\u003eGaleria Atocha\u003c\/i\u003e (2024), Música, with text by Ezequiel Alemian, at LAR (2022) and \u003ci\u003eLos días\u003c\/i\u003e at the \u003ci\u003eMuseo del Banco Provincia \u003c\/i\u003e(2016). he lives in La Pampa where he is currently running an art residency.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eNiebla,\u003c\/i\u003e 2022\u003ci\u003e. \u003c\/i\u003eóleo s\/tela, 30x23 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eSi un día, \u003c\/i\u003e2023. acrílico s\/tela, 50x39 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eGracia y tropiezo\u003c\/i\u003e, 2023. óleo s\/tela, 19x17 cm \u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eEs raro que tome conciencia\u003c\/i\u003e, 2023. óleo s\/tela, 51x38 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eAlégrense,\u003c\/i\u003e 2023\u003ci\u003e. \u003c\/i\u003eóleo s\/tela, 51x40 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eSshshshshshs\u003c\/i\u003e, 2023\u003ci\u003e.\u003c\/i\u003e óleo s\/tela 35x143 cm \u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003ePrimero, después\u003c\/i\u003e, 2023\u003ci\u003e.\u003c\/i\u003e óleo s\/tela, 33x27 cm \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860321267782,"sku":"PFO-67-ZIN-GT08","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-federico-juan-rubi-1.jpg?v=1775852731"},{"product_id":"zine-diana-teira-23-pequena-fortuna","title":"zine DIANA TEIRA 23 PEQUEÑA FORTUNA","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epart of the \u003c\/span\u003e\u003cem\u003egrandes tesoros\u003c\/em\u003e\u003cspan\u003e collection: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003epequeña fortuna\u003c\/em\u003e editions\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eBuenos Aires, November 2025\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDiana Teira \u003c\/strong\u003e(Villa Domínico, Buenos Aires, 1992) works as a visual arts teacher in schools throughout the province. a graduate of the \u003ci\u003eUniversidad Nacional de las Artes \u003c\/i\u003e(2014), she studied with Carlos Bissolino. in 2022, she participated in \u003ci\u003eManglar\u003c\/i\u003e, coordinated by André Labaké. she has worked with PM Galería on several projects, including participation in \u003ci\u003earteba\u003c\/i\u003e (2022), MAC Córdoba (2023), and \u003ci\u003ePokemostra\u003c\/i\u003e (2023). she also participated in \u003ci\u003eSalón Travieso\u003c\/i\u003e at the ECA Mendoza (2023), and the exhibition \u003cem\u003eA 18 minutos del sol\u003c\/em\u003e (2023) at the \u003ci\u003eMuseo Moderno de Buenos Aires\u003c\/i\u003e, and\u003cem\u003e Lluvia ácida \u003c\/em\u003eat the \u003ci\u003eCentro Cultural Recoleta \u003c\/i\u003e(2025). she is currently enrolled in the Artists Program at Torcuato Di Tella University (2025).\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eindex of works:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eAmigo imaginado esmeralda\u003c\/i\u003e, 2023. policromos s\/papel color, 48 x 62 cm (detalle)\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eJuego finalizado\u003c\/i\u003e, 2023. policromos s\/papel color, 15 x 18 cm \u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eYo en un fuego en mí\u003c\/i\u003e, 2023. acuarelas y lápices s\/papel color, 50 x 70 cm \u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eLa Pantanosa\u003c\/i\u003e, 2023. policromos s\/papel color, 21 x 23 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eAmigx imaginadx en el humo\u003c\/i\u003e, 2025. policromos s\/papel color, 48 x 62 cm\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003ci\u003eLucecitas que se conocen\u003c\/i\u003e, 2025. policromos s\/papel color, 21 x 28 cm \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860329164870,"sku":"PFO-67-ZIN-GT23","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-federico-diana-teira-1.jpg?v=1775853109"},{"product_id":"zine-fatima-pecci-carou-20-pequena-fortuna","title":"zine FÁTIMA PECCI CAROU 20 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epart of the \u003c\/span\u003e\u003cem\u003egrandes tesoros\u003c\/em\u003e\u003cspan\u003e collection: reproductions of works by Argentine artists in fanzine format, on a single sheet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eart portfolio zine, text in Spanish\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFátima Pecci Carou\u003c\/strong\u003e (Buenos Aires, 1984) holds a degree in Visual Arts from the \u003ci\u003eUniversidad del Museo Social Argentino \u003c\/i\u003e(UMSA) in Buenos Aires, Argentina. she is currently a student of \u003ci\u003eHistoria del Arte de la Universidad de Buenos Aires\u003c\/i\u003e (UBA), Argentina. in 2015, she received a grant from the \u003ci\u003eCentro de Investigaciones Artísticas \u003c\/i\u003e(CIA). she furthered her training through the ABE-ELE art workshops, coordinated by curators Javier Villa and Carla Barbero (2020) and Ana Gallardo (2013-2015). in 2019, she was nominated for the Cisneros Fontanals Art Foundation (CIFO) Grants \u0026amp; Commis. also in 2020, she was invited to the 12th Mercosur Biennial in Porto Alegre (curated by Andrea Giunta).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 2019, she published her book, \u003ci\u003eFemininjas\u003c\/i\u003e (Ronda Editorial, 2019). She is part of the \u003ci\u003eNosotras Proponemos \u003c\/i\u003eWomen Artists Assembly and participates in artistic activism groups.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShe is represented by COTT Gallery.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860335947846,"sku":"PFO-67-ZIN-GT20","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-zine-fatima-pecci-carou-1.jpg?v=1775853407"},{"product_id":"book-fatima-pecci-carou-01-pequena-fortuna","title":"book fátima pecci carou 01 PEQUEÑA FORTUNA","description":"\u003cp\u003e\u003cem\u003e15 minutos de cancelación\u003c\/em\u003e  is the first issue of the emisiones (broadcasts) collection, which will include conversations with various artists, poets, directors, and researchers. in this issue, we speak with painter Fátima Pecci Carou about her experience following her exhibition \u003cem\u003eBanderas y banderines\u003c\/em\u003e: Evita, curated by María Eva Grinstein in 2021. the exhibition unleashed a wave of aggression and political harassment that, in turn, prompted dozens of colleagues to express gestures of solidarity and reflect on the possibilities of art in the 21st century.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e19 pages\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003epart of the \u003ci\u003eemisiones \u003c\/i\u003ecollection: interviews with artists, writers, and critics.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860355182662,"sku":"PFO-67-BOO-E01","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-67-book-15-minutos-de-cancelacion-fatima-pecci-carou-1.jpg?v=1775853686"},{"product_id":"zine-volume-iv-pequena-fortuna","title":"zine pack volume iv PEQUEÑA FORTUNA","description":"\u003cp class=\"p1\"\u003e4 small fanzines; printed on beautiful A7-size colored paper. these are part of the \u003cstrong\u003eBuenos Aires collection\u003c\/strong\u003e: short poetic texts in prose; full of life and thought, dedicated to a street in the city of Buenos Aires, Argentina.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eideal for travelers! each text reveals the writer's relationship with the street and its history, its present-day reality and its mystery, its intimacy and its social significance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003ethe following individuals contribute to this fourth volume:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLucía Cytryn \u003c\/strong\u003e(Buenos Aires, 1991) holds a degree in Literature, a Master's degree in Gender Studies and Politics, and is a doctoral fellow at CONICET (National Scientific and Technical Research Council). She is a researcher, professor, coordinator, and editor of \u003cem\u003eEl lugar sin límites. Revista de Estudios y Políticas de Género\u003c\/em\u003e (The Place Without Limits: Journal of Gender Studies and Politics). Her research focuses on archival studies, discourse analysis, and queer studies.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRío Gutiérrez \u003c\/strong\u003e(Buenos Aires, 1983) is an avid reader and writer. In 2016, she published \u003ci\u003eLa presencia es poco\u003c\/i\u003e (Presence Is Little), a collection of underlined passages from various books and authors. In 2022, published a second collection, \u003ci\u003eNada allá afuera\u003c\/i\u003e (Nothing Out There). She has participated in writing workshops with Mariela Gouiric, Mariano Blatt, and Clara Muschietti.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eVioleta Sticotti\u003c\/strong\u003e (Buenos Aires, 1997) has published \u003ci\u003eLa forma del río\u003c\/i\u003e (2020), Radio Fantasmal\/Fantasy radio (2023), and \u003ci\u003eRecuerdos de cuando me convertí en burro\u003c\/i\u003e (2025). She is currently completing her degree in Creative Writing.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLenny Liffschitz \u003c\/strong\u003e(Mexico City, 1991) is an editor and writer specializing in art and politics. Since 2019, she has been the editor of the art journal \u003ci\u003eEl Flasherito\u003c\/i\u003e and co-director of the publishing house Glusberg with Claudio Iglesias. She studied Publishing at the University of Buenos Aires and participated in the Artists Program at Torcuato Di Tella University. Her work has appeared in \u003ci\u003eTerremoto\u003c\/i\u003e (Mexico), \u003ci\u003eLetras Libres\u003c\/i\u003e (Mexico), \u003ci\u003eIdeas de Izquierda\u003c\/i\u003e, \u003ci\u003eRevista Aguinaldo,\u003c\/i\u003e \u003ci\u003eRevista Segunda Época,\u003c\/i\u003e and others. In 2025, she was selected to participate in the Wet Conceptualism program at the Saas-Fee Summer Institute of Art (SFSIA) in Paris. He lives and works in Buenos Aires.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860390015046,"sku":"PFO-66-ZIN-BA04","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-66-zine-volumen-4-warnes-rio-gutierrez-1.jpg?v=1775857615"},{"product_id":"zine-volume-iii-pequena-fortuna","title":"zine pack volume iii PEQUEÑA FORTUNA","description":"\u003cp class=\"p1\"\u003e4 small fanzines; printed on beautiful A7-size colored paper. these are part of the \u003cstrong\u003eBuenos Aires collection\u003c\/strong\u003e: short poetic texts in prose; full of life and thought, dedicated to a street in the city of Buenos Aires, Argentina.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eideal for travelers! each text reveals the writer's relationship with the street and its history, its present-day reality and its mystery, its intimacy and its social significance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003ethe following individuals contribute to this third volume:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAnna Ferrer Anechina\u003c\/strong\u003e (Barcelona, 1997) has lived in Buenos Aires for two years. she works with books and studies Argentine art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eClementina Lopetegui\u003c\/strong\u003e (Buenos Aires, 2003) is a multidisciplinary designer. she is an editor at \u003ci\u003ePrófuga\u003c\/i\u003e, a project she runs with Violeta Olivera, and creative director of \u003ci\u003erevista Avenir\u003c\/i\u003e. in her free time, she tries to write.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMatías Heer \u003c\/strong\u003e(Buenos Aires, 1984) is a poet and apparent translator, “I make noises and montage.” his latest books are \u003ci\u003eCrisis y Belleza\u003c\/i\u003e (Nutrias Espaciales, 2024) and Uwu (Fadel\u0026amp;Fadel, 2024). the montage poems can be seen at \u003ca href=\"http:\/\/www.grupofindelmundo.com.ar\"\u003e\u003cspan class=\"s1\"\u003ewww.grupofindelmundo.com.ar\u003c\/span\u003e\u003c\/a\u003e and on the YouTube channel \u003ca href=\"http:\/\/www.youtube.com\/@vixorfit\"\u003e\u003cspan class=\"s1\"\u003ewww.youtube.com\/@vixorfit\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJuan Gabriel Miño \u003c\/strong\u003e(Gregorio de Laferrere, 1989) is a writer, poet, and playwright. he published \u003ci\u003eNo toda la vida vamos a estar juntos \u003c\/i\u003e(Mansalva, 2024), and in August 2025 the book will be translated into English and distributed in the USA as This Isn't for Life (New Mundo, 2025). his work is included in the anthologies \u003ci\u003eRaros peinados nuevos\u003c\/i\u003e (Eterna Cadencia, 2017) and \u003ci\u003eAntología de obras en construcción \u003c\/i\u003e(Libros del Rojas, 2012). he published the chapbooks \u003ci\u003eUna historia de fantasmas \u003c\/i\u003e(Un solo corazón, 2022) and \u003ci\u003eBilletera mata galán \u003c\/i\u003e(Banco malo, 2021). he wrote articles for the newspaper Clarín, in the “Mundos íntimos\" section; and for Página\/12 in the \"Las12\" supplement, and currently writes for SOY. he founded and directs the independent publishing house \u003ci\u003eEdiciones Luismi.\u003c\/i\u003e\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860404072518,"sku":"PFO-66-ZIN-BA03","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-66-zine-volumen-3-o_higgins-anna-ferrer-anechina-1.jpg?v=1775857650"},{"product_id":"zine-volume-ii-pequena-fortuna","title":"zine pack volume ii PEQUEÑA FORTUNA","description":"\u003cp class=\"p1\"\u003e4 small fanzines; printed on beautiful A7-size colored paper. these are part of the \u003cstrong\u003eBuenos Aires collection\u003c\/strong\u003e: short poetic texts in prose; full of life and thought, dedicated to a street in the city of Buenos Aires, Argentina.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eideal for travelers! each text reveals the writer's relationship with the street and its history, its present-day reality and its mystery, its intimacy and its social significance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p3\"\u003ethe following individuals contribute to this second volume:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eFram Visconti \u003c\/strong\u003e(San Martín, 1989) is an editor at \u003ci\u003eDeParado\u003c\/i\u003e and a workshop facilitator at \u003ci\u003eUn Lugar Conocido\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eIgnacio Repetto\u003c\/strong\u003e (Buenos Aires, 2000) writes and translates. he studied Literature at the \u003ci\u003eUniversidad de Buenos Aires\u003c\/i\u003e. he received grants to work on archival research projects; he publishes at \u003ci\u003ePequeña Fortuna\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eJulián Cnochaert \u003c\/strong\u003e(Buenos Aires, 1996) is a playwright, theater director, actor, and translator; wrote and directed the plays \u003ci\u003eLa posibilidad de entender \u003c\/i\u003e(2016), \u003ci\u003eScarlet Pampa \u003c\/i\u003e(2020), and \u003ci\u003eCapricho Jones\u003c\/i\u003e (2023); studies Literature at the \u003ci\u003eUniverdidad de Buenos Aires \u003c\/i\u003e(UBA).\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eVioleta Olivera\u003c\/strong\u003e (Buenos Aires, 2000) studies Literature and researches 19th-century Argentine literature at the UBA. she is part of \u003ci\u003ePrófuga\u003c\/i\u003e, a publishing project that began in 2022. she writes fiction and occasionally dabbles in poetry.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860423733318,"sku":"PFO-66-ZIN-BA02","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-66-zine-volumen-2-corrientes-julian-cnochaert-1.jpg?v=1775857490"},{"product_id":"zine-volume-i-pequena-fortuna","title":"zine pack volume i PEQUEÑA FORTUNA","description":"\u003cp class=\"p1\"\u003e4 small fanzines; printed on beautiful A7-size colored paper. these are part of the \u003cstrong\u003eBuenos Aires collection\u003c\/strong\u003e: short poetic texts in prose; full of life and thought, dedicated to a street in the city of Buenos Aires, Argentina.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eideal for travelers! each text reveals the writer's relationship with the street and its history, its present-day reality and its mystery, its intimacy and its social significance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p3\"\u003ethe following individuals contribute to this first volume:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eAntonia Kon \u003c\/strong\u003e(Buenos Aires, 2000) is a journalist whose work has appeared in publications such as \u003ci\u003ePágina 12\u003c\/i\u003e, La \u003ci\u003eAgenda\u003c\/i\u003e, and Rolling Stone. she is the co-author of the book “Sobre el trabajo de Yael Desbats” (Actividad de Uso, 2023). she is currently pursuing a degree in Creative Writing at the National University of the Arts (UNA).\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eTobías Leiro \u003c\/strong\u003e(Ciudadela, 1995) holds a degree in Literature from the \u003ci\u003eUniversidad de Buenos Aires\u003c\/i\u003e (UBA). he was born in Ciudadela but has lived most of his life in the La Tablada neighborhood, named for the cattle waiting area before being taken to the slaughterhouses. he experienced a series of comical accidents before the age of 10 that influenced his writing style, but these are not included in this biographies.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eAna Guebel \u003c\/strong\u003e(Buenos Aires, 2002) is a poet and studies Philosophy at the \u003ci\u003eUniversidad de Buenos Aires\u003c\/i\u003e (UBA). her first book of poems, Accident and Miracle, was published this year by Simetría Doméstica Literatura.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eCatalina Cabral \u003c\/strong\u003e(Rosario, 1997) studied Literature at the University of Buenos Aires, where she currently conducts research and teaches. as a writer, she published the poetry collection \u003ci\u003eEl rugido, el destello\u003c\/i\u003e (Hora Mágica, 2023).\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860435890246,"sku":"PFO-66-ZIN-BA01","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-66-zine-volumen-1-puan-catalina-cabral-1.jpg?v=1775857718"},{"product_id":"book-una-chica-disfrazada-de-chica-julia-bozzalla","title":"book una chica disfrazada de chica JULIA BOZZALLA","description":"\u003cp\u003eJulia writes like a girl applying makeup in front of a mirror: wanting to mask with glitter the things she dislikes about her face, yet simultaneously gazing at herself head-on, without mercy. her poems are rehearsals for the thousand lives she could lead, even as she inhabits the one she has. a girl disguised as another girl, moving forward with her eyes wide open—facing the world head-on—so that nothing escapes her notice. a girl disguised as another girl, writing as she discovers what kind of girl she wants to be. \u003cem\u003eAna Montes\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e50 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art: Julia Bozzalla\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003cem\u003epequeña fortuna\u003c\/em\u003e editions\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eBuenos Aires, November 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJulia Bozzalla \u003c\/strong\u003e(Connecticut, 1997) is an artist. she lives and works in Buenos Aires. her work intertwines theater, literature, visual arts, and film. she is a graduate of the \u003ci\u003ePrograma de Cine \u003c\/i\u003efrom\u003ci\u003e Universidad Torcuato Di Tella\u003c\/i\u003e and of Graphic Design at FADU-UBA, where she currently also teaches. she contributed to the anthology of young poets, \u003ci\u003eRitual de Amor\u003c\/i\u003e (Penguin Random House, 2022). she wrote and directed \u003ci\u003eLas cosas que no digo no existen menos\u003c\/i\u003e (Teatro El Grito, 2021). she directed the young artists' series \u003ci\u003ePalacio Tomado\u003c\/i\u003e at the \u003ci\u003eMuseo Nacional de Arte Decorativo\u003c\/i\u003e (2021–2022). as a visual artist, she has participated in various exhibitions and residencies. she is currently working on her musical project and her first short film, \u003ci\u003eQuisiera que vos\u003c\/i\u003e \u003ci\u003ey yo fuésemos otras dos personas\u003c\/i\u003e (I Wish You and I Were Two Other People).\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860470460486,"sku":"PFO-65-BOO-PF24","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-una-chica-disfrazada-de-chica-julia-bozzalla-1.jpg?v=1775858607"},{"product_id":"book-un-sabado-por-la-manana-diego-l-garcia","title":"book un sábado por la mañana DIEGO L. GARCÍA","description":"\u003cp\u003eañoro un mundo del que vivo fuera, soy un old fashioned. en el sol de mediodía mi meditación es caliente, y esa es la templanza que puedo tener. quiero decir que este libro es un poema de duelo, un poema de aceptación, el último destello de un mundo que terminó, si es que alguna vez llegó a realizarse— América como un eco de Arcadia. poema de añoranza es otro modo de llamarlo: el mundo de los sueños no fue ayer ni será mañana, ha sido en otro lugar, probablemente en un cuaderno.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e28 pages\u003c\/li\u003e\n\u003cli\u003eSpanish\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003epequeña fortuna\u003c\/em\u003e editions\u003c\/li\u003e\n\u003cli\u003eBuenos Aires, August 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDiego L. García\u003c\/strong\u003e (Berazategui, 1983) is a \u003ci\u003eProfessor en Letras \u003c\/i\u003eat the \u003ci\u003eNational University of La Plata.\u003c\/i\u003e he has published books of poetry, essays, and translations in Argentina, Chile, Spain, and the United States, including \u003ci\u003eFin del enigma \u003c\/i\u003e(Ediber, 2011), \u003ci\u003eEsa trampa de ver\u003c\/i\u003e (Añosluz, 2016), \u003ci\u003eUna voz hervida \u003c\/i\u003e(Jámpster, 2017), \u003ci\u003eUna cuestión de diseño \u003c\/i\u003e(Barnacle, 2018), (Fotografías) (Zindo \u0026amp; Gafuri, 2018; 2nd ed. Liliputienses, 2020), \u003ci\u003eLas calles nevadas\u003c\/i\u003e (Barnacle, 2020), \u003ci\u003eSiluetas hablando porque sí \u003c\/i\u003e(Ed. Casa Vacía, 2022), El lento hacer. \u003ci\u003eEnsayos sobre imagen y escritura\u003c\/i\u003e (Ed. Casa Vacía, 2023), and \u003ci\u003eUnos días afuera\u003c\/i\u003e (Anthology, Pixel, 2023). his work is included in numerous anthologies, among them \u003ci\u003ePaís imaginario: escrituras y transtextos \u003c\/i\u003e1980-1992 (Ay del Seis, 2018). contributes to various journals in Hispanic America and the United States. Diego is a teacher.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860475441222,"sku":"PFO-65-BOO-PF22","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-un-sabado-por-la-manana-diego-l-garcia1.jpg?v=1775859041"},{"product_id":"book-un-motivo-sobrenatural-jorge-javier-romero","title":"book un motivo sobrenatural JORGE JAVIER ROMERO","description":"\u003cp\u003ea harmless beast, hidden from the world, polishes gemstones for an invisible swan. or poems like mirrors for wary fauna. the luxury of introverts lies in dancing within that secret, and in finding—within their exile—the arrow that transforms the body into a flower of time. no modernity is capable of extinguishing the custom of keeping sweets or miniatures as amulets. Jorge’s poems fit around the neck like tiny medallions bearing Latin inscriptions or the name of a loved one. one need only hold them between one’s fingertips and lightly trace their surface to regain faith and patience. everything shall pass. could that be his supernatural sentiment? a distant voice—joyful to have appeared elsewhere—sighs. \u003cem\u003eFran Bariffi \u0026amp; Ignacio Repetto\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e23 pages\u003c\/li\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eBuenos Aires, October 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJorge Javier Romero \u003c\/strong\u003e(Caracas, 1993) is a poet, writer, and translator. in recent years, he has focused on writing fragments. some of his poems, articles, and short stories have appeared in digital and print media in Venezuela, Mexico, Argentina, and the USA. he has lived in Buenos Aires since 2019.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860478652486,"sku":"PFO-65-BOO-PF14","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-un-motivo-sobrenatural-jorge-javier-romero-1.jpg?v=1775859412"},{"product_id":"book-tres-cuentos-mariana-gaitan-truchsess","title":"book tres cuentos MARIANA GAITÁN TRUCHSESS","description":"\u003cp\u003ethe three stories Mariana has gathered in this book should be read quickly and straight through. this is recommended because, almost certainly, she consulted her “trusted metamorphologist” while writing them. hence, she challenges us with diffuse realities and shifting creatures that reinvent themselves right before our eyes. the rarefied atmospheres and strange situations found in these narratives—seasoned, here and there, with touches of “paprika of laughter”—appear to be the result of “prudently unusual approximations” of “sufficiently different words,” much as the writer Gianni Rodari defined his own inventive binomials. indeed, our author always keeps this particular seasoning close at hand—both when she writes, and when she spices up the books she shares with the young readers at the school library where she works. \u003cem\u003eCecilia Pisos\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e14 pages\u003c\/li\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003cspan lang=\"ES\"\u003eMariana Gaitán Truchsess \u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"ES\"\u003e(Caracas, 1996)\u003cspan\u003e \u003c\/span\u003estudied \u003cem\u003eLetras en la Universidad Católica Andrés Bello\u003c\/em\u003e and in the \u003cem\u003eUniversidad de Buenos Aires\u003c\/em\u003e. she is a bookseller and librarian.\u003c\/span\u003e\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860479668294,"sku":"PFO-65-BOO-PF09","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-tres-cuentos-mariana-gaitan-truchsess-1.jpg?v=1775859609"},{"product_id":"book-testimonios-para-invocar-a-un-viajante-patricio-ruiz","title":"book testimonios para invocar a un viajante PATRICIO RUIZ","description":"\u003cp\u003e\u003cem\u003eTestimonios para invocar a un viajante\u003c\/em\u003e—rather than a stage play or a film embedded within a play—is an archive: a proliferating succession of voices, images, audio recordings, and phrases. like an offering, an actor-director edits together fragments concerning a lover he met while traveling, whom he attempts to reconstruct through the testimonies of those who remember him. \u003cem\u003eAndrés Gallina \u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e62 pages\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eTestimonios para invocar a un viajante \u003c\/i\u003ewon First Prize in the National Arts Fund Playwriting Competition in 2017. the play premiered in September 2019 at the Cervantes National Theatre and received the Argentores Award that year.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eCast: Diego Benedetto, Flor Dyszel, Belén Gatti, and Agustín Rittano\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eVideo Actor: Patricio Ruiz\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eVideo: Majo Malvares and Gimena Tur\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eChoreography: Jazmín Titiunik\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eMusic: José Ocampo\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eLighting Design: Verónica Alcoba\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eCostume Design: Gustavo Alderete\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSet Design: Cecilia Zuvialde\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eText: Patricio Ruiz\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eDirector: Maruja Bustamante\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860489465926,"sku":"PFO-65-BOO-PF12","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-testimonios-para-invocar-a-un-viajante-patricio-ruiz-1.jpg?v=1775859735"},{"product_id":"book-siglo-xx-leccion-final-daniel-link","title":"book siglo xx: lección final DANIEL LINK","description":"\u003cp\u003eabove all, throughout all these years, Daniel taught us that reading is not about applying a model constructed elsewhere—nor is it about adopting a rigid paradigm devised in some seemingly prestigious corner of the universal republic of letters—but rather about inhabiting a text from a standpoint that seeks to be neither peripheral nor marginal, for it understands that there are no centers or peripheries; or, in any case, that if such centers and peripheries were to exist, we ought to dispense with them and read from a different place. to read from a place of difference and experience. from a place of happiness and desire—never from a place of deprivation or lack. the twentieth century, therefore—just as Daniel conceived of it from his very first courses—allows us to dispense with national paradigms, and with canonical and linguistic universes that are hermetically sealed within themselves. \u003cem\u003eDiego Bentivegna\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e46 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art: Nazarena Mastronardi\u003c\/li\u003e\n\u003cli class=\"p3\"\u003einterior cover photography: Sebastián Freire\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003cem\u003epequeña fortuna\u003c\/em\u003e editions\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eBuenos Aires, November 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDaniel Link \u003c\/strong\u003e(Buenos Aires, 1959) is a writer. for 34 years, he held the chair of Comparative Philology, specializing in 20th-Century Literature, at the University of Buenos Aires. he lives in the province of Buenos Aires and currently directs the \u003ci\u003eInstituto de Estudios Filológicos Lationamericanos \u003c\/i\u003e“Ana María Barrenechea” in the \u003ci\u003eUniversidad Nacional de Tres de Febrero, \u003c\/i\u003ewhere he also coordinates the Bachelor's and Teaching Degree programs in Literature, which he founded. He has published essays, novels, plays, children's literature, and poems. his work has been translated into Portuguese, English, Italian, and French. in 2022, Gallimard published \u003ci\u003eAutobiographie d'un lecteur argentin\u003c\/i\u003e, translated by Charlotte Lemoine.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ehe is currently researching the relationships between the technical conditions of knowledge production (including artificial intelligence), stylistic environments, and dissident literary forms. he participates in the \u003ci\u003eCátedra Libre de Estudios Filológicos Lationamericanos\u003c\/i\u003e, which he founded at the University of Buenos Aires (UBA), and directs two journals at the National University of Tres de Febrero (UNTREF): Chuy. \u003ci\u003eRevista de literaturas latinoamericanas \u003c\/i\u003eand \u003ci\u003eNueva revista de literaturas populares\u003c\/i\u003e.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860507783238,"sku":"PFO-65-BOO-PF25","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-siglo-xx-leccion-final-daniel-link-1.jpg?v=1775860043"},{"product_id":"book-my-dear-fashion-rita-chiabo","title":"book my dear fashion RITA CHIABO","description":"\u003cp\u003ewith a sensitive and unprejudiced gaze, Rita Chiabo observes and interacts with the people who pass through the famous second-hand clothing store where she works. as if she were the leading actress in a film, we view—through her perspective—an eclectic landscape where glamour and decay coexist. the *nouveau riche*, the wistfully nostalgic, luxury handbags, pop stars, hoarders, elegant ladies, tacky knockoffs, chic \u003cem\u003ewags\u003c\/em\u003e, furs once owned by deceased aristocrats, people on edge, drop-dead beauties, supermodels, forgotten cash, tv celebrities, pocket lint, unruly children, items of sentimental value, and closets smelling of mildew. The clothing takes on new meaning—and so do its new owners. in *My Dear Fashion*, we glimpse the intimate lives and histories of these individuals through every garment. to be a poet is a way of inhabiting the world—a punk gesture that brings a spark to the daily grind of work. \u003cem\u003eNiki Rouge\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e23 pages\u003c\/li\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRita Chiabo\u003c\/strong\u003e (Rafaela, 1995) is a poet and visual artist. she has published \u003cem\u003eDomingo\u003c\/em\u003e (self-published fanzine), \u003cem\u003eLa belleza contenido\u003c\/em\u003e (Ediciones Danke), and \u003cem\u003eLa perla del oeste\u003c\/em\u003e (Editorial Municipal Rafaela). she has contributed to the anthologies of young poets \u003cem\u003eVan llegando\u003c\/em\u003e (Mansalva) and \u003cem\u003eRitual de amor \u003c\/em\u003e(Alfaguara).\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860527738950,"sku":"PFO-65-BOO-PF10","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-my-dear-fashion-rita-chiabo-1.jpg?v=1775860535"},{"product_id":"book-meditaciones-discretas-ignacio-polo","title":"book meditaciones discretas IGNACIO POLO","description":"\u003cp\u003eoh, what must the lapacho trees be thinking—afternoon after afternoon—as centuries-old sentiments ripen beneath their bark? Ignacio is no anthropologist, yet here he brings his answers into order. he knows well the nature of slow time—uncluttered by events—that greets the swaying of a window during the afternoon siesta. his is an active waiting, one that only occasionally allows itself to be guided by weariness or boredom.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e60 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art: Gala Altamare\u003c\/li\u003e\n\u003cli class=\"p3\"\u003e\n\u003cem\u003epequeña fortuna\u003c\/em\u003e editions\u003cb\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eBuenos Aires, July 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eIgnacio Polo (Corrientes, 1994) was born in the city of Corrientes and won first prize in poetry in high school. he lived in Buenos Aires, where he studied cinematography. He published \u003ci\u003eContento con mi tristeza\u003c\/i\u003e (Socios Fundadores, 2024). this is his second book.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860530262086,"sku":"PFO-65-BOO-PF21","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-meditaciones-discretas-ignacio-polo-1.jpg?v=1775860667"},{"product_id":"book-improvisar-taller-de-magia-y-poesia-de-ceci-y-fer","title":"book improvisar TALLER DE MAGIA Y POESÍA DE CECI Y FER","description":"\u003cp\u003ethis anthology gathers the texts written during the \u003cem\u003eTaller de magia \u003c\/em\u003ethat Ceci and Fer led virtually in January 2025. And while the world today imposes its own pace with determined violence, experiencing art through friendship - and entering the time of poetry - is already, at least for a moment, like living in another world, or in another time.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e72 pages\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSpanish\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFernanda Laguna\u003c\/strong\u003e (Hurlingham, 1972) is an artist, writer, curator, editor, cultural manager, homemaker, and bisexual. her first chapbook, \u003ci\u003ePoesías\u003c\/i\u003e, was published in 1995. Much of her poetic work is collected in \u003ci\u003eControl o no control\u003c\/i\u003e (Mansalva, 2012), \u003ci\u003eLa princesa de mis sueños \u003c\/i\u003e(Ivan Rosado, 2018), and \u003ci\u003eLos grandes \u003c\/i\u003eproyectos (Página\/12, 2018). under the pseudonym Dalia Rosetti, one of her other personas, she published the novels \u003ci\u003eTatuada para siempre\u003c\/i\u003e (Belleza y Felicidad, 1999), \u003cem\u003eDurazno reverdeciente\u003c\/em\u003e (Eloísa Cartonera, 2003), \u003ci\u003eMe encanta que gustes de mí \u003c\/i\u003e(Mansalva, 2006), \u003ci\u003eDame Pelota\u003c\/i\u003e (Mansalva, 2009), \u003cem\u003eSueños y pesadillas\u003c\/em\u003e (Mansalva, 2016), and \u003ci\u003eEl fuego entre nosotras\u003c\/i\u003e (Random House, 2021). She also published \u003cem\u003eFernanda Laguna para colorear\u003c\/em\u003e (Mansalva, 2017). her writings on art are collected in \u003ci\u003eEspectacular\u003c\/i\u003e (Ivan Rosado, 2019), and her visual art from the 1990s is featured in \u003ci\u003eAmor total. Los 90 y el camino del corazón\u003c\/i\u003e (Ivan Rosado, 2020).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eCecilia Pavón \u003c\/strong\u003e(Mendoza, 1973) has lived in Buenos Aires since the 1990s, where she earned a degree in Literature from the \u003ci\u003eUniversidad de Buenos Aires\u003c\/i\u003e. In 1999, she and Fernanda Laguna founded the art gallery and publishing house \u003ci\u003eBelleza y Felicidad\u003c\/i\u003e (Beauty and Happiness). she has published the prose books \u003ci\u003eNomadismo por mi país\u003c\/i\u003e (Nomadism Through My Country), \u003ci\u003eLos sueños no tienen copyright \u003c\/i\u003e(Dreams Have No Copyright), \u003ci\u003eOnce Sur\u003c\/i\u003e (South Eleven), P\u003ci\u003eequeño recuento sobre mis faltas\u003c\/i\u003e (A Small Recount of My Mistakes), and \u003ci\u003eTodos los cuadros que tiré\u003c\/i\u003e (All the Paintings I Thrown Away); and the poetry collections \u003ci\u003eDiario de una persona inventada\u003c\/i\u003e (Diary of an Invented Person), \u003ci\u003e27 poemas con nombre de persona \u003c\/i\u003e(27 Poems with a Person's Name), \u003ci\u003eUn hotel con mi nombre \u003c\/i\u003e(A Hotel with My Name), \u003ci\u003eQuerido libro\u003c\/i\u003e (Dear Book), and \u003ci\u003eLa libertad de los bares\u003c\/i\u003e (The Freedom of Bars), among others.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860549398598,"sku":"PFO-65-BOO-PF17","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-improvisar-taller-de-magia-y-poesia-de-ceci-y-fer-1.jpg?v=1775861038"},{"product_id":"book-evocacion-de-la-soledad-arturo-jacinto-alvarez","title":"book evocación de la soledad ARTURO JACINTO ÁLVAREZ","description":"\u003cp\u003ethere is a story about Arturito in which he undergoes nose surgery to look like his dog; another in which he pays for a farmhand’s training as a dancer; and yet another in which he wakes up in the middle of the night to liberate a lamb destined to become the Paschal lamb—in the form of a traditional roast. Arturito appears as a character in Manuel Mujica Láinez’s\u003cem\u003e Invitados en el Paraíso\u003c\/em\u003e; he makes a brief appearance in Sylvia Molloy’s \u003cem\u003eEl común olvido \u003c\/em\u003eand in Leopoldo Marechal’s \u003cem\u003eAdán Buenosayres.\u003c\/em\u003e yet he remains indifferent to these appearances and seems never to have read the books in question. - \u003cem\u003eMaría Moreno\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e61 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003epequeña fortuna ediciones\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eBuenos Aires, August 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eArturo Jacinto Álvarez\u003c\/strong\u003e (Buenos Aires, 1921–2003), also known as “Arturito,” was a dandy, editor, and translator, a friend of the circle of women writers associated with the magazine \u003ci\u003eSur\u003c\/i\u003e. in 1948, he founded the publishing house \u003ci\u003eLa Perdiz\u003c\/i\u003e, which collaborated with artists such as Hector Basaldúa, Juan Battle Planas, Raúl Soldi, and Josefina Robirosa. he published the short stories \u003ci\u003eUn almuerzo sagrado \u003c\/i\u003e(1948) and \u003ci\u003eEvocación de La Soledad\u003c\/i\u003e (1948), the novel \u003ci\u003eEsvén\u003c\/i\u003e (1960), and the poetry collection \u003ci\u003eCinco sonetos\u003c\/i\u003e (1962).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDiana Teira\u003c\/strong\u003e (Villa Domínico, Buenos Aires, 1992) works as a visual arts teacher in schools throughout the province. a graduate of the \u003ci\u003eUniversidad Nacional de las Artes\u003c\/i\u003e (2014), she studied with Carlos Bissolino. in 2022, she participated in \u003ci\u003eManglar\u003c\/i\u003e, coordinated by André Labaké. She has worked with \u003ci\u003ePM Galería\u003c\/i\u003e on several projects, including participation in \u003ci\u003earteba\u003c\/i\u003e (2022), MAC Córdoba (2023), and \u003ci\u003ePokemostra\u003c\/i\u003e (2023). she also participated in \u003ci\u003eSalón Travieso\u003c\/i\u003e at the ECA Mendoza (2023), the exhibition \"18 Minutes from the Sun\" at the \u003ci\u003eMuseo Moderno de Buenos Aires\u003c\/i\u003e (2023), and \"Acid Rain\" at the \u003ci\u003eCentro Cultural Recoleta\u003c\/i\u003e (2025). she is currently enrolled in the Artists Program at Torcuato Di Tella University (2025).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ethe publishing house states it has made every effort to locate the heirs of Arturo Jacinto Álvarez. if you recognize yourself as such, please contact them.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860563324998,"sku":"PFO-65-BOO-PF23","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-evocacion-de-la-soledad-arturo-jacinto-alvarez-1.jpg?v=1775861479"},{"product_id":"book-el-borde-azul-fran-bariffi","title":"book el borde azul FRAN BARIFFI","description":"\u003cp\u003ethis is a quiet book—like a song left floating across the meadow. quiet, because Fran knows that words arrive in their own time, in their own way, to come to rest upon the pages of the notebook. perhaps writing is nothing more than a long, singular meditation: a way to learn how to receive the wind. and these poems are its first breath. -\u003cem\u003e Ignacio Repetto\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e33 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art: Gala Altamare\u003c\/li\u003e\n\u003cli class=\"p5\"\u003eBuenos Aires, November 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFran Bariffi \u003c\/strong\u003e(Azul, 1998) is a writer. he studied Literature at the University of Buenos Aires. he gives reading workshops and edits for \u003cem\u003eEvasión\u003c\/em\u003e and \u003cem\u003ePequeña fortuna\u003c\/em\u003e.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860570632262,"sku":"PFO-65-BOO-PF15","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-el-borde-azul-fran-bariffi-1.jpg?v=1775862209"},{"product_id":"book-chicos-de-ciudad-lia-quezada","title":"book chicos de ciudad LIA QUEZADA","description":"\u003cp class=\"p1\"\u003elove is a dangerous substance—a drug that admits no dosage. a bad combination yields a toxic, indigestible brew; a good one synthesizes the lucidity of the sky when it clears. Lia wrote these poems during that hour of awe and wonder, while awaiting the clouds. poems like still meditations. Poems like incantations to summon the next poem.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e32 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eSpanish\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art: Crexmaniak, \u003ci\u003eFeiz Book\u003c\/i\u003e, tomada de \u003ci\u003eFanzinología mexicana (1985-2015)\u003c\/i\u003e, Enrique Arriaga Celis e Inés Estrada Silva (comps), UNAM, México D.F., 2015 y reproducida con autorización del autor.\u003c\/li\u003e\n\u003cli class=\"p3\" style=\"font-style: italic;\"\u003e\u003cem\u003epequeña fortuna ediciones\u003c\/em\u003e\u003c\/li\u003e\n\u003cli class=\"p3\"\u003eBuenos Aires, May 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLia Quezada \u003c\/strong\u003e(Guadalajara, 2000) writes poetry and art criticism. in 2024, she founded the publishing house \u003ci\u003eDiamantina\u003c\/i\u003e. Her books \u003cem\u003eTodo lo que escribo termina en Buenos Aires\u003c\/em\u003e (Everything I Write Ends in Buenos Aires) and \u003cem\u003ePoeta de Eugenia\u003c\/em\u003e (Poet of Eugenia) were self-published in 2023. the former, based on the diary Lia kept during her first stay in Buenos Aires, was photocopied on the ground floor of Building A at the Faculty of Political Science; the latter was risograph printed in Guadalajara, and then in Mexico City.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860578037830,"sku":"PFO-65-BOO-PF20","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-chicos-de-ciudad-lia-quezada-1.jpg?v=1775862457"},{"product_id":"book-aprendiz-de-hada-antonia-kon-lourdes-saez","title":"book aprendiz de hada ANTONIA KON, LOURDES SAEZ bilingual edition: spanish-japanese","description":"\u003cp\u003ethe poems in \u003cem\u003eAprendíz de hada\u003c\/em\u003e are a mirror of a longed-for transformation. amidst delicate dresses, sweets, animals, and other sacred gifts, a magical creature lives secluded in her subterranean room of fantasies. a magical creature, a magical girl, a Sailor Moon. many of us wish our selves were like that creature of poetry, an immortal doll, calm and beautiful, with bold ruffles and newly sewn wings, ready to soar before the inexorability of fate.\u003c\/p\u003e\n\u003cp\u003esuch a precious and intricately detailed object demands not only a careful gaze to be truly appreciated. its creation also required a second language, Japanese, and the focused energies of a trio, a third mind called Shoujo Mishitsu: Paula, Antonia, and Lourdes; illustrator, poet, and translator.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p3\"\u003e16 pages\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ebilingual edition: Spanish-Japanese\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"p3\"\u003ecover art\u003cb\u003e:\u003c\/b\u003e Paula Fernández, @pollypyun\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAntonia Kon \u003c\/strong\u003e(Buenos Aires, 2000) is a journalist whose work has appeared in publications such as \u003ci\u003ePágina 12\u003c\/i\u003e, Rolling Stone, \u003ci\u003eClarín\u003c\/i\u003e, and \u003ci\u003eLa Agenda\u003c\/i\u003e. she is the co-author of the book \u003cem\u003eSobre el trabajo de Yael Desbats\u003c\/em\u003e (Actividad de Uso, 2023). she is currently pursuing a Bachelor's degree in Writing Arts at the National University of the Arts (UNA).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLourdes Saez\u003c\/strong\u003e (Buenos Aires, 1996) is a freelance Japanese translator for publishers in Argentina, Spain, and the United States. her work includes the translation of the manga adaptation of Yoru Sumino's novel \u003cem\u003eQuiero comerme tu páncreas\u003c\/em\u003e. she is currently studying Biochemistry at the University of Buenos Aires (UBA).\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860582592582,"sku":"PFO-65-BOO-PF19","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-aprendiz-de-hada-antonia-kon-lourdes-saez-1.jpg?v=1775862809"},{"product_id":"book-a-menudo-en-jaula-valeria-mussio","title":"book a menudo en jaula VALERIA MUSSIO","description":"\u003cp\u003eIsn't it strange birds exist? These things that move through a realm forbidden to us? In a thousand different ways and with such languages!\u003c\/p\u003e\n\u003cp\u003eSome people ignore birds, and others watch them endlessly. They can't believe it. They are full of meaning, of sense, of metaphor, of hidden messages and oracles, isn't that obvious? They demand that we use words for them: \"look how it puffs up when it sleeps, yellow and plump like me\"; \"I remember it above all, in the way it died\"; \"you know it's impossible to hear words when other beautiful things sound like this.\"\u003c\/p\u003e\n\u003cp\u003eValeria is one of those who looks and sees. She looks at birds because she sees people. Her poems work like a foundry: the aerial and human material converge to forge poems that speak with beauty. They chirp this: this is who we are, this is how we love, this is how we die; this is how we remain trapped or fly far away, to return or never to return.\u003c\/p\u003e\n\u003cp\u003eLaura Wittner\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e25 pages\u003c\/li\u003e\n\u003cli\u003eSpanish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eValeria Mussio\u003c\/strong\u003e (Tres Arroyos, 1996) grew up in Bahía Blanca and lives in Buenos Aires. She holds a degree in Literature from the National University of the South. she directs \u003cem\u003eMatrerita\u003c\/em\u003e, a digital publishing house that publishes young poets from across Latin America. she is included in the eco-poetry anthology \u003cem\u003eRuge el Bosque\u003c\/em\u003e (The Forest Roars). she won the Buenos Aires Young Art Biennial in 2021 and 2023 in the Poetry and Literary Projects categories. she is part of the \u003cem\u003eIsla Invisible\u003c\/em\u003e (Invisible Island) project. she has published \u003cem\u003eHasta Pronto, querida \u003c\/em\u003e(See You Soon, My Dear) with \u003cem\u003ePeces de Ciudad Ediciones\u003c\/em\u003e (Argentina), \u003cem\u003eNuestros refugios a medio armar\u003c\/em\u003e (Our Half-Assembled Shelters) with \u003cem\u003eEditorial Liliputienses \u003c\/em\u003e(Spain), and \u003cem\u003eUn perro no sabe que puede destruir\u003c\/em\u003e (A Dog Doesn't Know It Can Destroy) with \u003cem\u003eAlquimia Ediciones\u003c\/em\u003e (Chile\/Argentina). \u003cem\u003eA menudo en jaula\u003c\/em\u003e was awarded by the Buenos Aires Young Art Biennial 2023 in the “Literary Projects” category by a selection committee composed of Laura Wittner, Santiago Loza and Lara Segade.\u003c\/p\u003e","brand":"PEQUEÑA FORTUNA","offers":[{"title":"Default Title","offer_id":44860588687430,"sku":"PFO-65-BOO-PF08","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/2427\/1686\/files\/pequena-fortuna-argentina-65-book-a-menudo-en-jaula-valeria-mussio-1.jpg?v=1775863297"}],"url":"https:\/\/chichimbre.com\/collections\/pequena-fortuna.oembed","provider":"Chichimbre","version":"1.0","type":"link"}